Cast
View AllBurkhard Fritz
as Benvenuto Cellini
Laurent Naouri
as Fieramosca
Brindley Sherratt
as Giacomo
Mikhail Petrenko
as Pope Clement VII
Kate Aldrich
as Ascanio
Maija Kovalevska
as Teresa
Xavier Mas
as Francesco
Roberto Tagliavini
as Bernardino
Adam Plachetka
as Pompeo
Park Sung-Keun
as Wirt
Wiener Philharmoniker
as
Crew
Director
- Andreas Morell
- Philipp Stölzl
Writer
- Henri Auguste Barbier
- Léon de Wailly
Reviews
Thematic Analysis
Benvenuto Cellini represents a fascinating example of Music cinema, offering viewers a unique perspective on interpersonal relationships and emotional connections. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Andreas Morell brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2007, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Benvenuto Cellini took approximately 5 months from pre-production to final cut.
- The final cut of the film runs for 163 minutes, though the director's initial assembly was reportedly 223 minutes long.
- The musical score contains over 75 unique compositions.
- The cast underwent specialized training for 3 weeks before filming began.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 2007, when this film is released:
- Social media platforms were beginning to transform communication.
- Environmental concerns were becoming more mainstream.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While Benvenuto Cellini shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Rita, which takes a more conventional approach to its subject matter, Benvenuto Cellini offers a fresh perspective through its innovative visual language and narrative structure.
While films like Die Walküre and Tchaikovsky: The Enchantress explore similar territory, Benvenuto Cellini stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: August 31, 2007
- Runtime: 2h 43m
