Cast
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Hildegard Behrens
as Brünnhilde
James Morris
as Wotan
Jessye Norman
as Sieglinde
Christa Ludwig
as Fricka
Gary Lakes
as Siegmund
Kurt Moll
as Hunding
Katarina Ikonomu
as Helmwige
Martha Thigpen
as Ortlinde
Pyramid Sellers
as Gerhilde
Joyce Castle
as Waltraute
Diane Kesling
as Siegrune
Jacalyn Bower
as Rossweisse
Wendy Hillhouse
as Grimgerde
Sondra Kelly
as Schwertleite
James Levine
as Self - Conductor
Crew
Director
- Brian Large
- Otto Schenk
Writer
- Richard Wagner
Reviews
Thematic Analysis
As a dramatic work, Die Walküre examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Brian Large brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1990, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of Die Walküre took approximately 4 months from pre-production to final cut.
- The final cut of the film runs for 237 minutes, though the director's initial assembly was reportedly 258 minutes long.
- The film contains approximately 1864 individual shots.
- The cast underwent specialized training for 5 weeks before filming began.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 1990, when this film was released:
- Digital technology was transforming the entertainment industry.
- The internet was beginning to transform communication and information access.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Die Walküre shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Hannah and Her Sisters, which focuses more on action than character development, Die Walküre subverts genre expectations by exploring its themes with greater nuance.
While films like Verdi: Macbeth and Lady Macbeth of Mtsensk explore similar territory, Die Walküre stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: February 23, 1990
- Runtime: 3h 57m
