Cast
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Jason Segel
as David Foster Wallace
Jesse Eisenberg
as David Lipsky
Mamie Gummer
as Julie
Mickey Sumner
as Betsy
Johnny Otto
as Pilot
Anna Chlumsky
as Sarah
Joan Cusack
as Patty
Becky Ann Baker
as Bookstore Manager
Ron Livingston
as David Lipsky's Editor
Stephanie Cotton
as United Ticket Agent
Dan John Miller
as NPR Host
Noel Fletcher
as ISU Student
Michael J. Stalmer
as Night Watchmen
Punnavith Koy
as Movie Goer
Ben Phelps
as Mall Shopper
Crew
Director
- James Ponsoldt
Writer
- Donald Margulies
Producer
- David Kanter
- James Dahl
- Matt DeRoss
- Ted O'Neal
Reviews
Reno
**There's a limit for everything, and after that, the same people look differently.**
This is an unexpected biographical drama. I don't know who are those two guys, I mean not the actors, but the real life characters. I never read their books or heard their names, though the film sounded great, so I decided to watch it. The entire film was an interview between a newly famed writer and a journalist who dreaming to become like him one day. So basically the young journalist desperately makes himself an opportunity to meet the writer and they take a road trip, discussing various topics.
It's hard to say who was best, both Jesse Eisenberg and Jason Segel were excellent. I think it was the best casting, they will be the reason if you want to watch it, not the story. Yep, the story was simple, just talking life, present and future of humankind, other celebrities and finally differences between them. That's the part I loved. I mean famed people or genius, whoever they're, they are just like us when it comes to interacting with others. They argue too, it's not like the worst thing to happen, but a normal thing as a human being. Just like animals locking their horns over land or females and sometimes for a no reason.
It was directed by 'The Spectacular Now' filmmaker, based on the bestselling memoir by David Lipsky, the character that played by Jesse Eisenberg. It takes place in the late 90s, but present in the film as a recall after a certain event. If you like 'Before Sunrise' kind of films, you will enjoy it, but if you hate slow pace narration, then you should better skip than giving a bad review and rating badly to wreck it up.
_7/10_
Oct 14, 2016
Thematic Analysis
As a dramatic work, The End of the Tour examines complex human relationships and emotional struggles against the backdrop of contemporary challenges that mirror our own experiences. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director James Ponsoldt brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 2015, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The End of the Tour took approximately 34 months from pre-production to final cut.
- The final cut of the film runs for 106 minutes, though the director's initial assembly was reportedly 151 minutes long.
- The film contains approximately 2102 individual shots.
- The screenplay went through 15 major revisions before the final shooting script was approved.
- The cast underwent specialized training for 5 weeks before filming began.
Historical Context
- In 2015, when this film is released:
- Political polarization was intensifying in many countries.
- Streaming services were revolutionizing film and television consumption.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While The End of the Tour shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Swan Song, which takes a more conventional approach to its subject matter, The End of the Tour subverts genre expectations by exploring its themes with greater nuance.
While films like The Bonfire of the Vanities and The Passenger explore similar territory, The End of the Tour stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: July 31, 2015
- Runtime: 1h 46m
- Revenue: $3,002,884
Where to Watch
