Cast
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Jack Nicholson
as David Locke
Maria Schneider
as Girl
Jenny Runacre
as Rachel Locke
Ian Hendry
as Martin Knight
Steven Berkoff
as Stephen
Ambroise Mbia
as Achebe
José María Caffarel
as Hotel Keeper (uncredited)
James Campbell
as Witch Doctor (uncredited)
Manfred Spies
as German Stranger (uncredited)
Jean-Baptiste Tiémélé
as Murderer (uncredited)
Ángel del Pozo
as Police Inspector (uncredited)
Charles Mulvehill
as David Robertson (uncredited)
Miquel Bordoy
as (uncredited)
Jaime Doria
as (uncredited)
Joan Gaspart
as Hotel Clerk (uncredited)
Crew
Director
- Michelangelo Antonioni
Producer
- Carlo Ponti
Reviews
Thematic Analysis
As a dramatic work, The Passenger examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Michelangelo Antonioni brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1975, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of The Passenger took approximately 5 months from pre-production to final cut.
- The final cut of the film runs for 126 minutes, though the director's initial assembly was reportedly 181 minutes long.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The cast underwent specialized training for 4 weeks before filming began.
Historical Context
- In 1975, when this film was released:
- Economic recession and oil crises were affecting global economies.
- Environmental awareness was growing as a social concern.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While The Passenger shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike 28 Weeks Later, which takes a more conventional approach to its subject matter, The Passenger offers a fresh perspective through its innovative visual language and narrative structure.
While films like The Way of the Gun and Mississippi Mermaid explore similar territory, The Passenger stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: February 28, 1975
- Runtime: 2h 6m
- Revenue: $768,744
