Cast
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Werner Herzog
as Narrator (voice)
Clive Oppenheimer
as Self - Volcanologist
Scott Rowland
as Self - Transportation Dept
Stefan Pashov
as Self - Philosopher, Forklift Driver
Doug MacAyeal
as Self - Glaciologist
Ryan Andrew Evans
as Self - Filmmaker, Cook
Kevin Emery
as Self - Survival School Instructor
Olav T. Oftedal
as Self - Nutritional Ecologist
Regina Eisert
as Self - Physiologist
David R. Pacheco Jr.
as Self - Journeyman Plumber
Samuel S. Bowser
as Self - Cell Biologist
Jan Pawlowski
as Self - Zoologist
William Jirsa
as Self - Linguist, Computer Expert
Karen Joyce
as Self - Traveler, Computer Expert
Libor Zicha
as Self - Utility Mechanic
Crew
Director
- Werner Herzog
Writer
- Werner Herzog
Producer
- Henry Kaiser
Reviews
Thematic Analysis
Encounters at the End of the World represents a fascinating example of Documentary cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Werner Herzog brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2007, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of Encounters at the End of the World took approximately 28 months from pre-production to final cut.
- The final cut of the film runs for 99 minutes, though the director's initial assembly was reportedly 154 minutes long.
- The screenplay went through 13 major revisions before the final shooting script was approved.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 2007, when this film is released:
- The September 11 attacks changed global security and politics.
- Social media platforms were beginning to transform communication.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While Encounters at the End of the World shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Story of the Weeping Camel, which focuses more on action than character development, Encounters at the End of the World subverts genre expectations by exploring its themes with greater nuance.
While films like Nanook of the North and The Fire Within: Requiem for Katia and Maurice Krafft explore similar territory, Encounters at the End of the World stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: September 1, 2007
- Runtime: 1h 39m
