Wagner: Tannhäuser
Overview
Anew production of Tannhäuser, which was premiered on 26 July 2019 and presented the Bayreuth debut of conductor Valery Gergiev, as well as the house debut of young soprano star Lise Davidsen. Tobias Kratzer’s staging presented Tannhäuser as a wildly contemporary parable of art and freedom which was praised as “novel” and “wrenching” (New York Times) and received exceptional press acclaim. hey were joined by mezzo soprano Elena Zhidkova’s Venus (“scene stealing”, according to Opera Today), baritone Markus Eiche’s Wolfram and Stephen Milling’s Landgraf.
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en
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At the Houston Grand Opera, two spring productions wrestle with love, faith and fate - Axios
At the Houston Grand Opera, two spring productions wrestle with love, faith and fate Axios
Tannhäuser review – Lise Davidsen gleams though Albery’s Wagner misfires again - The Guardian
Tannhäuser review – Lise Davidsen gleams though Albery’s Wagner misfires again The Guardian
A Versatile Director Brings Powerful Imagery to Wagner and Film (Published 2022) - The New York Times
A Versatile Director Brings Powerful Imagery to Wagner and Film (Published 2022) The New York Times
Review: From the Nazis to RBG, how Richard Wagner changed the world - Los Angeles Times
Review: From the Nazis to RBG, how Richard Wagner changed the world Los Angeles Times
Wagner: where to start with his music | Richard Wagner - The Guardian
Wagner: where to start with his music | Richard Wagner The Guardian
Watching this 1982 Met Tannhäuser – with Cassilly, Marton and Weikl – after nearly four decades leaves strong abiding memories - Seen and Heard International
Watching this 1982 Met Tannhäuser – with Cassilly, Marton and Weikl – after nearly four decades leaves strong abiding memories Seen and Heard International
Richard Wagner's heir, innovative festival director, opera composer, homosexual; the complex tale of Siegfried Wagner - planethugill.com
Richard Wagner's heir, innovative festival director, opera composer, homosexual; the complex tale of Siegfried Wagner planethugill.com
Denk, LPO, Vänskä, RFH review - 200 years of joy and sorrow - The Arts Desk |
Denk, LPO, Vänskä, RFH review - 200 years of joy and sorrow The Arts Desk |
A Good Man by Ani Katz review – sordidly gripping - The Guardian
A Good Man by Ani Katz review – sordidly gripping The Guardian
Tannhäuser review – a clear staging but the singing disappoints - The Guardian
Tannhäuser review – a clear staging but the singing disappoints The Guardian
Tannhäuser review – musically strong but an awkward production | Opera - The Guardian
Tannhäuser review – musically strong but an awkward production | Opera The Guardian
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