
Starting Out: The Making of Jerzy Skolimowski's Deep End
Overview
A fascinating and absorbing documentary about the making of Jerzy Skolimowski's cult favourite, DEEP END, which was shot in 1970 as a US-German co-production on location in London and Munich. The film's two stars, Jane Asher and John Moulder-Brown, 23 and 17 years of age at the time respectively, meet for the first time in 40 years and discuss their on-screen and off-screen relationship in candid detail, while director/writer Skolimowski chronicles the production history from the writing of the script to the film's acclaimed first showing at the Venice Film Festival. Director of photography Charly Steinberger revisits some of the original locations and explains how he managed to shoot almost the entire film with a hand-held camera. Also on board are production designer Anthony Pratt, editor Barrie Vince, and actor Christopher Sandford, each of whom contributes his own version of how DEEP END was part of the sixties' "swinging London"; and at the same time tilted it on its head.
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Status
Released
Original Language
en
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Deep End: a cult classic with an Avengers connection - Film Stories
Deep End: a cult classic with an Avengers connection Film Stories
Review: Deep End - Slant Magazine
Review: Deep End Slant Magazine
DVD: Deep End - The Arts Desk |
DVD: Deep End The Arts Desk |
Karlovy Vary International Film Festival 2011 Preview - Expats.cz
Karlovy Vary International Film Festival 2011 Preview Expats.cz
Deep End – review | Drama films - The Guardian
Deep End – review | Drama films The Guardian
Deep End – review | Comedy films - The Guardian
Deep End – review | Comedy films The Guardian
Deep End: pulled from the water - The Guardian
Deep End: pulled from the water The Guardian
Essential Killing – Jerzy Skolimowski Interview - HeyUGuys
Essential Killing – Jerzy Skolimowski Interview HeyUGuys
Essential Killing – review - The Guardian
Essential Killing – review The Guardian
David Thomson on Jerzy Skolimowski - The Guardian
David Thomson on Jerzy Skolimowski The Guardian
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