Death of a Salesman
Overview
Willy Loman is an over-the-hill salesman who faces a personal turning point when he loses his job and attempts to make peace with his family: Willy's long-suffering wife Linda, and Biff and Happy, his troubled sons and his life.
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Details
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Status
Released
Original Language
en
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Latest News
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Jeffrey Wright & Octavia Spencer Join ‘Death of a Salesman’ - Moviefone
Jeffrey Wright & Octavia Spencer Join ‘Death of a Salesman’ Moviefone
Summer Bound For $4.2B After Record $326M+ Memorial Day Weekend: ‘Lilo & Stitch’ Dances To $183M Holiday High, ‘Mission: Impossible 8’ $77M+ – Monday Box Office Update - Deadline
Summer Bound For $4.2B After Record $326M+ Memorial Day Weekend: ‘Lilo & Stitch’ Dances To $183M Holiday High, ‘Mission: Impossible 8’ $77M+ – Monday Box Office Update Deadline
Movie Review: Scream - Freestone County Times
Movie Review: Scream Freestone County Times
Review: Arthur Miller’s Dying ‘Salesman’ Is Reborn in London (Published 2020) - The New York Times
Review: Arthur Miller’s Dying ‘Salesman’ Is Reborn in London (Published 2020) The New York Times
‘Tora-san, Wish You Were Here’: Film Review | Tokyo 2019 - The Hollywood Reporter
‘Tora-san, Wish You Were Here’: Film Review | Tokyo 2019 The Hollywood Reporter
Death of a Salesman at 70 – a glance through the ages - WhatsOnStage
Death of a Salesman at 70 – a glance through the ages WhatsOnStage
'Death of a Salesman' Review: Arthur Miller Revival Stars Black Actors - Variety
'Death of a Salesman' Review: Arthur Miller Revival Stars Black Actors Variety
Review - Death of a Salesman at the Young Vic - London Theatre tickets
Review - Death of a Salesman at the Young Vic London Theatre tickets
'The Death and Life of John F. Donovan' Review - Variety
'The Death and Life of John F. Donovan' Review Variety
Gold movie review & film summary (2017) - Roger Ebert
Gold movie review & film summary (2017) Roger Ebert
The Salesman (2016) ⭐ 7.7 | Drama, Thriller - IMDb
The Salesman (2016) ⭐ 7.7 | Drama, Thriller IMDb
Why I Wrote “The Crucible” - The New Yorker
Why I Wrote “The Crucible” The New Yorker
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