Daybreak
Overview
After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.
Ratings & Reviews
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Media
Trailers, videos, posters and backdrops
Performance & Recognition
Financial performance and accolades
Box Office & Budget
Awards & Nominations
1 nomination total
Details
Production information
Status
Released
Original Language
fr
Production Companies
Cast & Crew
The people behind the movie
Cast
Crew
Marcel Carné
Director
Directing
Jacques Viot
Writer
Writing
Philippe Agostini
Director of Photography
Camera
André Bac
Director of Photography
Camera
Albert Viguier
Director of Photography
Camera
Curt Courant
Director of Photography
Camera
Maurice Jaubert
Original Music Composer
Sound
Jacques Prévert
Writer
Writing
Jean-Pierre Frogerais
Producer
Production
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Latest News
Recent articles and coverage
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Blu-ray: Le Quai des Brumes review - Love twinkles in the gloom of the fogbound French poetic realist classic The Arts Desk |
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Review: ‘Le Jour Se Leve’ is a Bold Pre-Cursor to Citizen Kane | by Reece Beckett | Counter Arts - Medium
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Cannes Founder’s Heirs Help Re-create 1939 Festival - The Hollywood Reporter
Cannes Founder’s Heirs Help Re-create 1939 Festival The Hollywood Reporter
Anthropoid movie review & film summary (2016) - Roger Ebert
Anthropoid movie review & film summary (2016) Roger Ebert
Review: Marcel Carné’s Le Jour Se Lève - Slant Magazine
Review: Marcel Carné’s Le Jour Se Lève Slant Magazine
Le jour se lève review – Philip French on Marcel Carné’s poetic realist classic - The Guardian
Le jour se lève review – Philip French on Marcel Carné’s poetic realist classic The Guardian
Le Jour Se Lève (Daybreak) movie review: man on the edge - Flick Filosopher
Le Jour Se Lève (Daybreak) movie review: man on the edge Flick Filosopher
Le Jour se Lève review – still bristling with energy - The Guardian
Le Jour se Lève review – still bristling with energy The Guardian
Daybreak: No 25 best crime film of all time - The Guardian
Daybreak: No 25 best crime film of all time The Guardian
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