Benny's Video
Overview
A 14-year-old video enthusiast obsessed with violent films decides to make one of his own and show it to his parents, with tragic results.
Ratings & Reviews
See what critics and audiences think
Media
Trailers, videos, posters and backdrops
Performance & Recognition
Financial performance and accolades
Awards & Nominations
2 wins & 3 nominations total
Details
Production information
Status
Released
Original Language
de
Production Companies
Cast & Crew
The people behind the movie
Cast
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User Reviews
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Latest News
Recent articles and coverage
Cachè — Michael Haneke - In Review Online
Cachè — Michael Haneke In Review Online
MICHAEL HANEKE: TRILOGY Review: Cooly Unsettling - ScreenAnarchy
MICHAEL HANEKE: TRILOGY Review: Cooly Unsettling ScreenAnarchy
Michael Haneke’s Caché - Artforum
Michael Haneke’s Caché Artforum
Every Michael Haneke Movie, Ranked From Worst to Best - Collider
Every Michael Haneke Movie, Ranked From Worst to Best Collider
Michael Haneke films – ranked! - The Guardian
Michael Haneke films – ranked! The Guardian
Michael Haneke’s Alienation Effect - The Criterion Collection
Michael Haneke’s Alienation Effect The Criterion Collection
Benny's Video (1992) by Michael Haneke - Review - Cinema Austriaco
Benny's Video (1992) by Michael Haneke - Review Cinema Austriaco
“Will You Be Able to Stomach It?” Haneke’s Food Motif and the Violence of Creation and Consumption in Benny’s Video - Bright Lights Film Journal
“Will You Be Able to Stomach It?” Haneke’s Food Motif and the Violence of Creation and Consumption in Benny’s Video Bright Lights Film Journal
Unfriended: Dark Web - Reverse Shot
Unfriended: Dark Web Reverse Shot
Benny's Video Movie Essay: Marshall Shaffer on Michael Haneke's 1992 Film - Vague Visages
Benny's Video Movie Essay: Marshall Shaffer on Michael Haneke's 1992 Film Vague Visages
Short Take: Happy End - Film Comment
Short Take: Happy End Film Comment
Oscars: Michael Haneke on ‘Happy End’ and the Art of Making Audiences Uncomfortable - The Hollywood Reporter
Oscars: Michael Haneke on ‘Happy End’ and the Art of Making Audiences Uncomfortable The Hollywood Reporter
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