Afterimage
Overview
In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.
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Awards & Nominations
2 wins & 12 nominations total
Details
Production information
"The Artist Who Opposed The Soviet Dictatorship."
Status
Released
Original Language
pl
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Cast
Bogusław Linda
Władysław Strzemiński
Bronisława Zamachowska
Nika Strzemińska
Zofia Wichłacz
Hania
Aleksandra Justa
Katarzyna Kobro
Krzysztof Pieczyński
Julian Przyboś
Mariusz Bonaszewski
Madejski
Rafał Zawierucha
Shop Assistant
Jacek Beler
Filip Gurłacz
Konrad
Aleksander Fabisiak
Rajner
Paulina Gałązka
Wasinska
Irena Melcer
Jadzia
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Readings: After Afterimage - Film Comment
Readings: After Afterimage Film Comment
AFTERIMAGES (2014) Reviews and overview - movies & mania
AFTERIMAGES (2014) Reviews and overview movies & mania
Afterimage movie review & film summary (2017) - Roger Ebert
Afterimage movie review & film summary (2017) Roger Ebert
Review: Andrzej Wajda’s Vividly Rendered Last Film, ‘Afterimage’ (Published 2017) - The New York Times
Review: Andrzej Wajda’s Vividly Rendered Last Film, ‘Afterimage’ (Published 2017) The New York Times
'Afterimage': Warsaw Review - Screen Daily
'Afterimage': Warsaw Review Screen Daily
Andrzej Wajda: 1926-2016 - Roger Ebert
Andrzej Wajda: 1926-2016 Roger Ebert
Andrzej Wajda, Oscar-Winning Polish Director, Dies at 90 - The Hollywood Reporter
Andrzej Wajda, Oscar-Winning Polish Director, Dies at 90 The Hollywood Reporter
'Afterimage' Review: Andrzej Wajda's Latest Feature About Polish History - Variety
'Afterimage' Review: Andrzej Wajda's Latest Feature About Polish History Variety
‘Afterimage’ (‘Powidoki’): Film Review | TIFF 2016 - The Hollywood Reporter
‘Afterimage’ (‘Powidoki’): Film Review | TIFF 2016 The Hollywood Reporter
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