Cast
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Hans Mosesson
as Roger
Bergljót Arnadóttir
as Vanja
Victoria Möllerström-Hjelm
as Emma
Göran Stangertz
as Lars
Kajsa Reingardt
as Monika
Halvar Björk
as The Electrician
Pierre Lindstedt
as Bryggarn
Eddie Axberg
as Kalle Maraton
Pär Ericson
as The Technician
Bernt Ström
as The Site Manager
Ove Tjernberg
as The Successor
Sven Lindberg
as The Project Manager
Evert Lindkvist
as The Sick assistant
Britt-Louise Tillbom
as Coworker
Jan Tiselius
as Coworker
Crew
Director
- Richard Hobert
Writer
- Richard Hobert
Producer
- Aina Behring
Reviews
Thematic Analysis
This Horror/Science Fiction/Drama/Mystery/TV Movie film explores themes of fear and survival, delving into the psychological aspects of human nature when confronted with the unknown. The Twelve Months of the Summer presents a unique perspective on the horror genre by focusing on the psychological terror rather than relying on typical jump scares.
Director Richard Hobert brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1988, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Twelve Months of the Summer took approximately 25 months from pre-production to final cut.
- The final cut of the film runs for 130 minutes, though the director's initial assembly was reportedly 168 minutes long.
- The screenplay went through 12 major revisions before the final shooting script was approved.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The musical score contains over 56 unique compositions.
Historical Context
- In 1988, when this film was released:
- The Cold War was entering its final phase.
- Economic policies were shifting toward deregulation in many Western countries.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While The Twelve Months of the Summer shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Freaks, which takes a more conventional approach to its subject matter, The Twelve Months of the Summer offers a fresh perspective through its innovative visual language and narrative structure.
While films like Groundhog Day and Donnie Darko explore similar territory, The Twelve Months of the Summer stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: November 24, 1988
- Runtime: 2h 10m
