Cast
View AllErica Hansen
as Airport Singer
Jenny Ord
as Airport Singer
Jed T. Robinson
as Elder Sniffler
Tracy Ann Evans
as Emma Phelps
Kirby Heyborne
as The R.M.
Merrill Dodge
as Brigham Phelps
Erin Robert
as Molly Spraggen
Will Swenson
as Kori Swenson
Don Ainge
as President Homer
Michael Birkeland
as Sister Porterhouse / Duey
Britani Bateman
as Kelly Powers
Julie Thayne
as Trish
Joel Tamiguchi
as Naked Ninja
Shaun Schofield
as Clayton Boy
Becky Heiss
as Jan Clayton
Crew
Director
- Kurt Hale
Writer
- John E. Moyer
- Kurt Hale
Producer
- Dave Hunter
Reviews
Thematic Analysis
The R.M. represents a fascinating example of Comedy/Family/Crime cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Kurt Hale brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2003, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The R.M. took approximately 8 months from pre-production to final cut.
- The final cut of the film runs for 101 minutes, though the director's initial assembly was reportedly 141 minutes long.
- The screenplay went through 10 major revisions before the final shooting script was approved.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The film contains approximately 1697 individual shots.
Historical Context
- In 2003, when this film is released:
- The September 11 attacks changed global security and politics.
- Digital technology was disrupting traditional media and entertainment.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While The R.M. shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Guys and Dolls, which focuses more on action than character development, The R.M. subverts genre expectations by exploring its themes with greater nuance.
While films like Punch-Drunk Love and Pride and Prejudice explore similar territory, The R.M. stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: January 24, 2003
- Runtime: 1h 41m
