Cast
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Jennifer Jones
as Carol
Michael Parks
as Marco
John Leyton
as Timothy
Jennifer Hilary
as Sarah
Guy Doleman
as Martin Livesey
Natasha Pyne
as Rosalind
Jack Watson
as Police Inspector
Jeremy Bulloch
as Lewis
Priscilla Morgan
as Rosie
Edna Morris
as Mrs. Muller
Fanny Carby
as Barmaid
Renée Houston
as 1st Woman at Party
Caroline Blakiston
as 2nd Woman at Party
Jane Birkin
as Art Student
Gordon Gostelow
as Simon
Crew
Director
- Daniel Petrie
Writer
- Millard Lampell
Producer
- Leonard Lightstone
Reviews
Thematic Analysis
As a dramatic work, The Idol examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Daniel Petrie brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1966, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Idol took approximately 24 months from pre-production to final cut.
- The final cut of the film runs for 109 minutes, though the director's initial assembly was reportedly 156 minutes long.
- The costume department created over 310 unique costume pieces for the production.
- The screenplay went through 13 major revisions before the final shooting script was approved.
- Several scenes were filmed in multiple locations to capture the perfect setting.
Historical Context
- In 1966, when this film was released:
- Counterculture movements were challenging traditional values.
- Social and cultural revolution was transforming Western societies.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While The Idol shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike 3 Steps to the Gallows, which focuses more on action than character development, The Idol subverts genre expectations by exploring its themes with greater nuance.
While films like The Younger Generation and Gypsy's Kiss explore similar territory, The Idol stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: February 1, 1966
- Runtime: 1h 49m
