Cast
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Charlie Chaplin
as Charlie, Convict 999
Edna Purviance
as Daughter of the House
Wesley Ruggles
as Jailbird and Thief
James T. Kelley
as Drunk with Pockets Picked / Second Flophouse Customer
Leo White
as Fruitseller / Flop House Manager / Policeman
John Rand
as Policeman at House
Fred Goodwins
as Honest Preacher / Policeman with Monocle
Billy Armstrong
as Crooked Preacher / Second Cop
Harry 'Snub' Pollard
as First Flophouse Customer
Bud Jamison
as Third Flophouse Customer
Paddy McGuire
as Fifth Flophouse Customer
George Cleethorpe
as Policeman at Station with Moustache
Crew
Director
- Charlie Chaplin
Writer
- Charlie Chaplin
Producer
- Jess Robbins
Reviews
Thematic Analysis
Police represents a fascinating example of Comedy cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Charlie Chaplin brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1916, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Police took approximately 35 months from pre-production to final cut.
- The final cut of the film runs for 26 minutes, though the director's initial assembly was reportedly 86 minutes long.
- The costume department created over 289 unique costume pieces for the production.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- Some visual effects sequences took up to 12 months to complete.
Historical Context
- In 1916, when this film was released:
- Rock and roll music was revolutionizing popular culture.
- Television was becoming a dominant form of home entertainment.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Police shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Sparks!, which takes a more conventional approach to its subject matter, Police offers a fresh perspective through its innovative visual language and narrative structure.
While films like Zombiefication and One Fine Day, a Hairdresser explore similar territory, Police stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: May 27, 1916
- Runtime: 26m
