Persona

Persona

Persona Poster
YouTube Thumbnail

Ingmar Bergman's most personal and original film

Director: Ingmar Bergman

Producer: Ingmar Bergman

A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer.

83 min Rating: 8.159/10 Released
Watch Trailer

Top Cast

Liv Ullmann
Liv Ullmann
Elisabet Vogler
Jörgen Lindström
Jörgen Lindström
Elisabet's Son (uncredited)

Movie Info

Director: Ingmar Bergman

Producer: Ingmar Bergman

Production Companies: SF Studios

Countries: Sweden

Now Streaming On

Max
Max
Max Amazon Channel
Max Amazon Channel
Criterion Channel
Criterion Channel
TCM Amazon Channel
TCM Amazon Channel

Similar Movies

The Experiment
The Experiment
2001-03-08
To Kill a Mockingbird
To Kill a Mockingbird
1962-12-20
Sunset Boulevard
Sunset Boulevard
1950-08-10
Full Metal Jacket
Full Metal Jacket
1987-06-26
Wild Strawberries
Wild Strawberries
1957-08-28
Sunrise: A Song of Two Humans
Sunrise: A Song of Two Humans
1927-11-04
Stalag 17
Stalag 17
1953-05-29
Lost Highway
Lost Highway
1997-01-15
Unicorn Store
Unicorn Store
2017-09-11
Wygrać marzenia
Wygrać marzenia
2022-03-30
Battleship Potemkin
Battleship Potemkin
1925-12-24
Belle de Jour
Belle de Jour
1967-05-24
On the Waterfront
On the Waterfront
1954-06-22
Paris, Texas
Paris, Texas
1984-07-16
Ben-Hur
Ben-Hur
1959-11-18
Pickpocket
Pickpocket
1959-12-16
Manhattan
Manhattan
1979-04-25
A Streetcar Named Desire
A Streetcar Named Desire
1951-09-19
All About Eve
All About Eve
1950-11-09
The Piano
The Piano
1993-05-18

User Reviews

What Others Said

CinemaSerf: This is one of my favourite Bergman films that darkly and potently showcases the skills of two women at the top of their game. "Elisabeth" (Liv Ullmann) is an acclaimed stage actress who, mid-performance, is struck dumb. Nobody is quite sure what has caused this, but a nurse is duly hired to take care of her. "Alma" (Bibi Andersson) arrives and soon comes to believe that the silence of her charge is her choice. She simply doesn't want to talk! Devoid of visitors, "Alma" constantly chatters to "Elisabeth" and a bond starts to develop between the two, outwardly profoundly different, women that challenges both of their preconceived ideas of the other. The latter is keen to emulate the former, the former is ultimately keen to prevent her new friend from doing precisely that. Why? What might have caused "Elisabeth" to take such an impenetrable refuge? Essentially this two hander is a monologue; there is precious little by way of contribution from anyone else as the characterisations intensify and the story becomes one of attrition, to an extent, but of cruelty - and of evaluating the sources and causes of cruelty, as well as providing us with a poignantly sensitive look at intimacy and maybe even optimism. I'm certain that there are other depths and allegorical aspects to this that I didn't necessarily appreciate, but unlike with many of this director's films, I found the personas represented here to have more relevance and humanity that in many of his previous works. Coupled with the condensed nature of the storytelling, a strongly complementary score and some effective outdoor cinematography this makes for a compelling film to watch.