Cast
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Reon Yuzuki
as Napoléon Bonaparte
Yumesaki Nene
as Joséphine de Beauharnais
Itsuki Chihiro
as Paul de Barras / Franz I
Ema Naoki
as Grand-Marmont
Miho Keiko
as Letizia Ramolino
Kairi Hokushō
as Talleyrand
Mari Yuzumi
as Madame de Staël
Miki Chigusa
as Fouché
Mishiro Ren
as Klemens von Metternich / Emmanuel-Joseph Sieyès
Toki Irisu
as Joseph
Yuzuru Kurenai
as Frédéric de Marmont
Otoha Minori
as Hortense de Beauharnais
Makoto Rei
as Eugène de Beauharnais
Kisaki Airi
as Marie Louise
Crew
Director
- Shuichiro Koike
Writer
- Gérard Presgurvic
Reviews
Thematic Analysis
Napoléon, the Man Who Never Sleeps ~At the End of His Love and Glory~ represents a fascinating example of History/Music cinema, offering viewers a unique perspective on interpersonal relationships and emotional connections. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Shuichiro Koike brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2014, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Napoléon, the Man Who Never Sleeps ~At the End of His Love and Glory~ took approximately 12 months from pre-production to final cut.
- The final cut of the film runs for 166 minutes, though the director's initial assembly was reportedly 199 minutes long.
- The costume department created over 134 unique costume pieces for the production.
- The film contains approximately 1349 individual shots.
- The musical score contains over 61 unique compositions.
Historical Context
- In 2014, when this film is released:
- Smartphones and social media had transformed daily life and communication.
- Political polarization was intensifying in many countries.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While Napoléon, the Man Who Never Sleeps ~At the End of His Love and Glory~ shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Me and My Girl, which focuses more on action than character development, Napoléon, the Man Who Never Sleeps ~At the End of His Love and Glory~ subverts genre expectations by exploring its themes with greater nuance.
While films like Hello Again and Urinetown explore similar territory, Napoléon, the Man Who Never Sleeps ~At the End of His Love and Glory~ stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: January 17, 2014
- Runtime: 2h 46m
