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Making Dances: Seven Post-Modern Choreographers

Making Dances: Seven Post-Modern Choreographers (1980)

Oct 01, 1980 1h 29m Documentary

Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.

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Directed by Michael Blackwood

Cast

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Crew

Director
  • Michael Blackwood
Producer
  • Michael Blackwood

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Thematic Analysis

Making Dances: Seven Post-Modern Choreographers represents a fascinating example of Documentary cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.

Director Michael Blackwood brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.

Released in 1980, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of Making Dances: Seven Post-Modern Choreographers took approximately 12 months from pre-production to final cut.
  • The final cut of the film runs for 89 minutes, though the director's initial assembly was reportedly 146 minutes long.
  • Several scenes were filmed in multiple locations to capture the perfect setting.
  • The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
  • The cast underwent specialized training for 8 weeks before filming began.

Historical Context

  • In 1980, when this film was released:
  • Economic policies were shifting toward deregulation in many Western countries.
  • The Cold War was entering its final phase.
  • Independent cinema was growing in influence, challenging the dominance of major studios.

How This Film Stands Out

While Making Dances: Seven Post-Modern Choreographers shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.

Unlike Martha Graham: The Dancer Revealed, which focuses more on action than character development, Making Dances: Seven Post-Modern Choreographers offers a fresh perspective through its innovative visual language and narrative structure.

While films like Like It Is and Bobbi Jene explore similar territory, Making Dances: Seven Post-Modern Choreographers stands apart through its deeper exploration of its central themes and more complex characterization.

This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.

Details

  • Release Date: October 1, 1980
  • Runtime: 1h 29m

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