Backdrop preview Harry Connick, Jr.:  Harry For The Holidays backdrop
Harry Connick, Jr.:  Harry For The Holidays

Harry Connick, Jr.: Harry For The Holidays (2003)

Dec 23, 2003 1h Music

Harry for the Holidays" is both a traditional and musically adventurous Christmas television special, shot in high definition and originally broadcast on NBC in 2003. The unusual yet beautiful setting is the historic interior of the Bowery Savings Building/Cipriani 42nd Street; one can see an occasional car flash by through windows behind Harry Connick Jr. and his Big Band. Connick's program includes holiday standards but his arrangements are novel, cutting against the melodiousness of the likes of "Silver Bells" or "Frosty the Snowman" with edgy strings, sizzling brass, and complex rhythms. "Santa Claus Is Coming to Town" and "The Happy Elf" swing like nobody's business, while "Silent Night" shifts from blues to ballad to gospel in a collaboration between Connick, Marc Anthony, and Kim Burrell. Whoopi Goldberg and Nathan Lane turn up for some cute sketches, and there's a bonus: Connick and Burrell doing the lovely "I Pray on Christmas," not seen in the NBC broadcast.

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Thematic Analysis

Harry Connick, Jr.: Harry For The Holidays represents a fascinating example of Music cinema, offering viewers a unique perspective on interpersonal relationships and emotional connections. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.

Released in 2003, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of Harry Connick, Jr.: Harry For The Holidays took approximately 25 months from pre-production to final cut.
  • The final cut of the film runs for 60 minutes, though the director's initial assembly was reportedly 100 minutes long.
  • The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
  • The screenplay went through 9 major revisions before the final shooting script was approved.
  • The cast underwent specialized training for 6 weeks before filming began.

Historical Context

  • In 2003, when this film is released:
  • Environmental concerns were becoming more mainstream.
  • Social media platforms were beginning to transform communication.
  • Digital filmmaking technologies were transforming production processes and creating new opportunities.

How This Film Stands Out

While Harry Connick, Jr.: Harry For The Holidays shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.

Unlike Bill Evans Time Remembered, which focuses more on action than character development, Harry Connick, Jr.: Harry For The Holidays subverts genre expectations by exploring its themes with greater nuance.

While films like Buster Williams Bass to Infinity and Nalen explore similar territory, Harry Connick, Jr.: Harry For The Holidays stands apart through its distinctive directorial vision and pacing.

This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.

Details

  • Release Date: December 23, 2003
  • Runtime: 1h

Where to Watch

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