Cast
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Brid Brennan
as Colette
Des McAleer
as Eugene
Paula Hamilton
as Lorraine
Charles Lawson
as Billy
B.J. Hogg
as Big Billy
Adrian Gordon
as Little Billy
Shane Connaughton
as Brendan
Eileen Pollock
as Carmel
Stephen Rea
as Dixie McConville
David Coyle
as Mickey
John Keegan
as Mr McCoy
John Hewitt
as Mr Roper
Ann Hasson
as Sister Midwife
Crew
Director
- Mike Leigh
Writer
- Mike Leigh
Producer
- Kenith Trodd
Reviews
Peter McGinn
I realized I had watched this movie many years ago, as we have a lot of Mike Leigh's films, but though there were a few spots that sparked a memory, I didn't recall enough to spoil the pleasure of watching it this time.
It is a quiet movie, especially considering that it takes place during the Irish "Troubles," and that seems to have ruffled some reviewers' feathers. Me, I am always up for a slow-paced movie as long as I like the characters and there is some subtle wit and humor included, which this movie had by the bucketful.
The only two actors I recognized I like, who were Charles Lawson from Coronation Street and Stephen Rea. They were good, but actually the entire ensemble cast more than carried their weight in this interesting character study. as for those that say nothing happens; well, if you can't get into the mood for a quiet movie, perhaps you should swerve this one and find a juicy body count movie. I would suggest you use captions if they are available. they talk fast sometime in their distinctive Irish accents.
Jan 13, 2024
SPDonlan
A brief review, given the electoral changes that’re in it, in Norniron.
With the last of his accomplished television films for the BBC, Leigh directs and, more impressively, writes with nuance on the sectarian divides of 1980s Belfast. Two couples – one unionist, one nationalist – are presented with evenhanded understanding, if not necessarily sympathy, before and after The Twelfth. With the best of British social realism, Leigh avoids the more romantic, didactic dualism of Loach/Laverty’s Irish films. The final scene is especially well-written and neatly directed.
Come here to me, is there any chance of _Another Four Days in July_ (2025)?
Jul 20, 2024
Thematic Analysis
As a dramatic work, Four Days in July examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Mike Leigh brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1984, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Four Days in July took approximately 17 months from pre-production to final cut.
- The final cut of the film runs for 96 minutes, though the director's initial assembly was reportedly 127 minutes long.
- The cast underwent specialized training for 5 weeks before filming began.
- Some visual effects sequences took up to 6 months to complete.
- The film contains approximately 1435 individual shots.
Historical Context
- In 1984, when this film was released:
- MTV launched, changing how music was marketed and consumed.
- Economic policies were shifting toward deregulation in many Western countries.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
Details
- Release Date: November 29, 1984
- Runtime: 1h 36m
Where to Watch
