Cast
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Karoline Herfurth
as Prinzessin Elisabeth
Florian Lukas
as Prinz Leopold
Susanne Bormann
as Magdalena
Julius Römer
as Kürdchen
Petra Kelling
as Königin Dorothea
Henry Hübchen
as König Gustav
Richard van Weyden
as Gaukler
Jule Dormann
as Magdalena jung
Paulina Rümmelein
as Prinzessin jung
Katrin Filzen
as Tusnelda
Jasmin von der Born
as Maria
Marc Hosemann
as
Rainer Ewerrien
as Diener
Crew
Director
- Sibylle Tafel
Reviews
Thematic Analysis
Die Gänsemagd represents a fascinating example of Family cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Sibylle Tafel brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2009, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Die Gänsemagd took approximately 12 months from pre-production to final cut.
- The final cut of the film runs for 58 minutes, though the director's initial assembly was reportedly 106 minutes long.
- The film contains approximately 2141 individual shots.
- The musical score contains over 75 unique compositions.
- The cast underwent specialized training for 2 weeks before filming began.
Historical Context
- In 2009, when this film is released:
- Social media platforms were beginning to transform communication.
- Digital technology was disrupting traditional media and entertainment.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While Die Gänsemagd shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Bride with the Most Beautiful Eyes, which takes a more conventional approach to its subject matter, Die Gänsemagd offers a fresh perspective through its innovative visual language and narrative structure.
While films like Scheherazade's Last Night and The Stowaway explore similar territory, Die Gänsemagd stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: December 26, 2009
- Runtime: 58m
