Cast
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Pierre Arditi
as Pierre Bazeilles
Évelyne Bouix
as Félice Chastel, la demi-sœur d'Olivier
Christiane Millet
as Laurence, la compagne de Pierre
Philippe Magnan
as Olivier, l'ami et éditeur de Pierre
Antoine Duléry
as François, l'ex-mari de Félice
Babsie Steger
as Inge, la nouvelle petite amie suédoise d'Olivier
Diane Dassigny
as Gaëlle
Max Boublil
as Yvan
Delphine Chanéac
as Annie
Daniel-Jean Colloredo
as Homme péniche
Dominique Chiaroni
as Homme chantier
Sophie Dolce
as Madame Escoulin
Gilbert Guerrero
as Taxi Sud
Alain Laub
as Serveur (uncredited)
Crew
Director
- Élisabeth Rappeneau
Writer
- Pierre Colin-Thibert
- Jean-Claude Islert
Reviews
Thematic Analysis
Chacun chez soi represents a fascinating example of Comedy/TV Movie cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Élisabeth Rappeneau brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2000, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Chacun chez soi took approximately 13 months from pre-production to final cut.
- The final cut of the film runs for 87 minutes, though the director's initial assembly was reportedly 121 minutes long.
- The costume department created over 454 unique costume pieces for the production.
- Some visual effects sequences took up to 11 months to complete.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 2000, when this film is released:
- The September 11 attacks changed global security and politics.
- Social media platforms were beginning to transform communication.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
Details
- Release Date: January 1, 2000
- Runtime: 1h 27m