Cast
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Marian Marsh
as Susie Sachs
David Manners
as Baron Paul von Ullrich
Warren William
as Baron Josef von Ullrich
Charles Butterworth
as Ludwig Pfeffer Jr.
Frederick Kerr
as Count Von Tolheim
Mary Doran
as Olive 'Ollie' Frey
Robert Greig
as Chappel
Yola d'Avril
as Bathtub Phone Caller Mimi (uncredited)
Harry Holman
as Hotel Manager (uncredited)
Olaf Hytten
as Business Associate (uncredited)
Barbara Leonard
as Woman with Dog (uncredited)
August Tollaire
as Paris Hotel Guest in Hallway (uncredited)
Polly Walters
as Ludwig's Girl (uncredited)
Leo White
as Man in Elevator (uncredited)
Crew
Director
- Roy Del Ruth
Writer
- Paul Frank
- Ladislas Fodor
- Joseph Jackson
Reviews
Thematic Analysis
Beauty and the Boss represents a fascinating example of Comedy/Romance cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Roy Del Ruth brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1932, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Beauty and the Boss took approximately 3 months from pre-production to final cut.
- The final cut of the film runs for 65 minutes, though the director's initial assembly was reportedly 109 minutes long.
- The costume department created over 126 unique costume pieces for the production.
- The cast underwent specialized training for 5 weeks before filming began.
- Some visual effects sequences took up to 4 months to complete.
Historical Context
- In 1932, when this film was released:
- The civil rights movement was gaining momentum in the United States.
- Television was becoming a dominant form of home entertainment.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Beauty and the Boss shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Repligator, which focuses more on action than character development, Beauty and the Boss offers a fresh perspective through its innovative visual language and narrative structure.
While films like Oh, If I Only Were a Man and La Jetée explore similar territory, Beauty and the Boss stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: April 9, 1932
- Runtime: 1h 5m
