Cast
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Stephanie Niznik
as Stephanie
Billy Wirth
as Fantasy Guy
Jerry Springer
as Jerry Springer
Kathleen Marshall
as Therapist
Pamela Sussman
as Woman on Springer
Josh Woodward
as Man on Springer
Todd M. Schultz
as Bouncer on Springer
Steve Wilkos
as Bouncer on Springer
Mai Tai
as Gayle's Dog
David Gail
as Fiance
Mariette Hartley
as Mother
Garry Marshall
as Stepfather
Ajay Sahgal
as Friend's Husband
Kelli Williams
as Kelly
Crew
Director
- Billy Wirth
Writer
- Sheri Sussman
Reviews
Thematic Analysis
Kismet represents a fascinating example of Romance cinema, offering viewers a unique perspective on interpersonal relationships and emotional connections. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Billy Wirth brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1999, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Kismet took approximately 20 months from pre-production to final cut.
- With a budget of $0.0 million, the film represented a significant investment in bringing this story to the screen.
- The final cut of the film runs for 24 minutes, though the director's initial assembly was reportedly 82 minutes long.
- The screenplay went through 7 major revisions before the final shooting script was approved.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The film contains approximately 1628 individual shots.
Historical Context
- In 1999, when this film was released:
- The end of the Cold War was reshaping global politics.
- Globalization was accelerating economic and cultural exchange.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Kismet shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Man Who Loved Flowers, which takes a more conventional approach to its subject matter, Kismet offers a fresh perspective through its innovative visual language and narrative structure.
While films like Iris and La Jetée explore similar territory, Kismet stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: January 1, 1999
- Runtime: 24m
- Budget: $35,000
