Cast
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Alex D. Linz
as Alex Pruitt
Olek Krupa
as Peter Beaupre
Rya Kihlstedt
as Alice Ribbons
Lenny Von Dohlen
as Burton Jernigan
David Thornton
as Earl Unger
Haviland Morris
as Karen Pruitt
Kevin Kilner
as Jack Pruitt
Marian Seldes
as Mrs. Hess
Seth Smith
as Stan Pruitt
Scarlett Johansson
as Molly Pruitt
Christopher Curry
as Agent Stuckey
Baxter Harris
as Police Captain
James Saito
as Chinese Mob Boss
Kevin Gudahl
as Techie
Richard Hamilton
as Cab Driver
Crew
Director
- Raja Gosnell
Writer
- John Hughes
Producer
- John Hughes
- Hilton A. Green
Reviews
Kamurai
Good watch, probably won't watch again, but can recommend.
This kid definitely isn't Macaulay Culkin, but Alex D. Linz was able to carry this movie, and he did it again in "Max Keeble's Big Move".
I'll be honest I re-watched this because "Hot Ones" mentioned Scarlett Johansson was in it, and I couldn't remember that. She has a bit role, but even back then (possibly unrefined, the role didn't have a lot to work with) she was a big personality in a small role. She has one, brief, powerful scene that would really be worth remembering: most of it is the messing up the burglars.
This has a very different vibe than the first 2 movies. While Kevin was isolated and unable to get help, Alex starts by doing everything right to get help, but no one believes him so he feels forced to "do the right thing". However it manifests in almost a psychotic fashion.
Of course, almost everything that happens in this movie should kill someone, but doesn't. It also had a very easy out: at any time Alex could give the chip up, and it would be over, the bad guys leave the country: he's heavily volunteering for this carnage. Kevin was being targeted, he saw their faces and was actually defending himself and his home because the "wet bandits" were coming for HIM.
Ultimately it's fun and charming, and interesting what the limits of technology were back in 1997 with cellphones and pagers, RC cars with block long range, but not wireless cameras, but remote control gizmos that can turn on the neighbors tv.
The biggest problem I have with it is that his brother's bird is basically as smart a person, having conversations, and taking bribes (or insisting on being paid at least), and the worst bit is that I know there are people with birds as smart as that. I'm not sure if it would be a Conure, but I don't deal in parrots.
That said, it's not overly hilarious, it's not bad, but it's just not great either.
Aug 27, 2020
Thematic Analysis
Home Alone 3 represents a fascinating example of Comedy/Family cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Raja Gosnell brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1997, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Home Alone 3 took approximately 3 months from pre-production to final cut.
- With a budget of $32.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 102 minutes, though the director's initial assembly was reportedly 125 minutes long.
- The costume department created over 437 unique costume pieces for the production.
- The cast underwent specialized training for 4 weeks before filming began.
- Several scenes were filmed in multiple locations to capture the perfect setting.
Historical Context
- In 1997, when this film was released:
- The end of the Cold War was reshaping global politics.
- The internet was beginning to transform communication and information access.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Home Alone 3 shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Our Hospitality, which takes a more conventional approach to its subject matter, Home Alone 3 subverts genre expectations by exploring its themes with greater nuance.
While films like Home Alone and Home Alone 2: Lost in New York explore similar territory, Home Alone 3 stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: December 12, 1997
- Runtime: 1h 42m
- Budget: $32,000,000
- Revenue: $79,082,515
Where to Watch
