The Magnificent Seven

John Chard: I have been offered a lot for my work, but never everything A vile bandit constantly raids a small Mexican village and pilfers what he so wants. Finally having enough, and not wanting to relocate, the villagers set about recruiting some hired guns to finally rid themselves of the dastardly Calvera. As most people now know, The Magnificent Seven is of course a remake of Akira Kurosawa's immense and hugely influential picture, Shichinin no samurai. Adhering closely to Kurosawa's themes, director John Sturges has crafted a classic in its own right, one that has become something of a Bank Holiday staple for TV schedulers. When you break it down for scrutiny, the story is purely a very ordinary one, but as each archetype character and set up arrives, it becomes evident that it's a story rich in texture, all framed marvellously in a Western setting. Sturges for sure knew how to direct ensemble casts, he would after all go on to direct the fantastic 1963, ultimate holiday movie, The Great Escape. Here he is excellently served by a faultless cast, though Yul Brynner was the only major name of note, the likes of Steve McQueen (owning the movie), Charles Bronson, Robert Vaughn and James Coburn would go on to become part of cinematic macho culture, with each actor vying for the right to own the movie proving to be a bonus trump card for this rousing and much loved picture. Even the score has slipped nicely into popular culture, Elmer Bernstein's music having now become recognisable to even the most youthful of movie fans ears. Unashamedly macho, but certainly delightful for the female viewers as well, The Magnificent Seven is an across the board delight for almost everyone who enjoys the escapism of film. Perhaps the last word should rest with Kurosawa himself, who after viewing John Sturges' picture was moved to present him with a Samurai Sword in recognition of the great film he had crafted, enough said there I feel. 9/10

CinemaSerf: From the opening bars of Elmer Bernstein's superb score you just know that this is going to be a good film... Add the ensemble of Steve McQueen, Charles Bronson, James Coburn, Yul Brynner and a superb Eli Wallach and it is a certainty. This version of Kurosawa's 1954 story tells of a group of put-upon villagers who set out to recruit some hired guns to help them fend off a gang of murderous marauders. There is some fairly grand cinematography; strong performances from all including Robert Vaughn as the neurotic cowardly "Lee" and Horst Buchholz as newbie "Chico" that provides for a great, action-packed Western adventure movie with more than it's fair share of twists and turns, some good tight dialogue/direction and Wallach is really entertaining, if not especially menacing, as "Calvera". The local population put up some good performances too and although it lacks the intensity and grittiness of "Seven Samurai" I think it certainly holds it's own as a classic piece of entertainment.

Filipe Manuel Neto: **A classic western in its own right.** When I decided to see this film, I did so because of its enormous popularity in European lands, and not because of its particularly good reputation. For example, I knew that my father had seen this film in a theater in Luanda, Angola, in the years when it was released in theaters (back when Angola was not an independent country). Only later, when I read a little about it, did I discover that the film is a remake, an adaptation for a western of the famous film “Seven Samurai”, directed by Akira Kurosawa, which I saw before and which I thought was a bit overrated. And of course, it's one of those pure classic US westerns, not a western-spaghetti. The script maintains the structure of Kurosawa's film, adapted to Northern Mexico: a village of peaceful peasants, often pillaged by a band of malefactors, who hire a small group of seven honorable gunmen to help them defend themselves. However, this film corrects several of the “errors” that I pointed out to the original Japanese film: first, it is much shorter and summarizes the facts more to the essentials, giving us a less dull and dense narrative, more efficient to entertain us. To do so, the plot focuses on finding the best men for the job and, then, on the adventures to defend the village. It remains, however, a predictable film: we know that, in the end, the heroes will save the day, albeit with a few brave deaths in the final body count. This is certainly the greatest film of Yul Brynner's career. He was already a renowned actor and had a strong influence on the casting, ending up putting together a kind of “dream team” of incredible action actors. And he himself made an impactful and remarkable performance. Steve McQueen also deserves mention, along with James Coburn, both of whom will meet again in “Great Escape”, shortly afterward. Charles Bronson and Horst Buchholz also do a very good job and make good use of the opportunity to develop their careers. In a more discreet register, Robert Vaughn and Brad Dexter help compose the seven heroes. Eli Wallach, in the role of the villain, cannot be forgotten for the quality of the work he offers us, and for the charisma that come with him. Technically, the film does not present great values to consider. Much of what we see was standard US cinema in the 1960s: the cinematography is good, quite colorful and well lit, but not particularly notable, and the sets and costumes are relatively good, from an aesthetic point of view. The recreation of the historical era fails a little: set around 1865-1870, the film does, however, have several props and clothing that are distinctly later by several decades. They look good, but they are not exact. However, this film makes up for it with good editing, a very pleasant rhythm, good special and sound effects and an excellent soundtrack, with a pleasantly epic and heroic nature, signed by Elmer Bernstein.