The Happy Ending

CinemaSerf: The interesting topic for this film just about gives it enough steam to sustain the almost two hours of screen time. Jean Simmons ("Mary") is suffering from a long-term ennui with husband "Fred" (John Forsythe) and after trying drink and drugs to stimulate her existence, she absconds to the Bahamas (pawning her watch to fund this) on the evening of their wedding anniversary. It's on the plane that she encounters old friend "Flo" (Shirley Jones) and her pal "Sam" (Lloyd Bridges) and upon arrival they take the now penniless "Mary" in charge. It doesn't take long for the disillusioned lady to start to release that the grass is never really any greener, but her time in this idyllic location does allow her to recalibrate her priorities and sense of self (as well as to evaluate how her own life bears comparison with those of her friends). Simmons reminded me a little of Liz Taylor in this film. She has a confidence to portray a middle aged woman with demons and doubts; flawed and envious but kind and lonely too. Jones is good, also, as the friend whose life adds up to little more than series of relationships with wealthy men who have delivered fun and luxury, but little of substance. It falls to Bobby Darin's ("Franco") to finally help the penny to drop. Sadly, the film also focusses on the other half of this partnership a little too much, as Forsythe just had no weight as actor. Sure he was debonaire and had a certain class about him, but even at his ostensibly most impassioned in this film, his characterisation of the loving husband was more akin to that of a caring doctor. There was nothing remotely visceral about his effort, and that - I felt - really compromised the overall value of the film. Lloyd Bridges was never my favourite actor either, and here he contributes little of value by way of a foil to the kindly but selfish Jones. Plenty for us to get our teeth into, with a good strong story (though I didn't much like the ending) directed with a pace that suited the star. The dialogue is wordy, and sometimes a little melodramatic, but it is still a vehicle for fans of Jean Simmons to enjoy. Could have been much better, though.