Cast
View AllDavid Niven
as Sir Charles Lytton
Peter Sellers
as Insp. Jacques Clouseau
Claudia Cardinale
as The Princess Dala
Capucine
as Simone Clouseau
Robert Wagner
as George Lytton
Brenda De Banzie
as Angela Dunning
Colin Gordon
as Tucker
John Le Mesurier
as Defence Barrister (as John LeMesurier)
James Lanphier
as Saloud
Guy Thomajan
as Artoff
Michael Trubshawe
as Felix Townes
Riccardo Billi
as Aristotle Sarajos
Meri Welles
as Monica Fawn (as Meri Wells)
Martin Miller
as Pierre Luigi - Photographer
Fran Jeffries
as Greek 'cousin'
Crew
Director
- Blake Edwards
Producer
- Martin Jurow
- Dick Crockett
Reviews
CinemaSerf
David Niven recreates a little of his "Raffles" (1939) character here as the suave and debonaire "Sir Charles Lytton". He's a social sophisticate who is invited to the grandest of soirées and where there is always a jewel robbery. Nobody has ever quite put two and two together before until "Clouseau" (Peter Sellers) and his wife "Simone" (Capucine) arrive at a luxurious hotel where the "Princess" (Claudia Cardinale) is also staying - along with her priceless necklace. "Clouseau" thinks it's bound to be stolen, as does just about everyone else but the arrival of nephew "George" (Robert Wagner) puts a spanner in the works of "Lytton" and what now ensues is quite a good laugh. Niven and Cardinale just ooze charisma here, with both gelling well and easily exuding a sense that this alpine luxury is exactly where they belong. The audience knows a few things about "Mrs Clouseau" that her husband doesn't, and that adds quite nicely to the not so mysterious mystery and to the rather quirky ending. I think this is my favourite of the outings for Sellers with this character. It's his most natural performance and his role isn't top-billed, he's more a part of the mechanics of a film that marries quite a few themes together and allows everyone to have their "007" meets "To Catch a Thief" moment in the snow. Some of the scenes - especially in the hotel room with the folks hiding under the bed - do go on too long, but there's still enough innate comedy timing from just about everyone to take this oft-told story and make it worth rehashing. Keep an eye out for the over-the-top Brenda de Banzie, too! Good fun.
Apr 22, 2024
Thematic Analysis
The Pink Panther represents a fascinating example of Comedy/Crime cinema, offering viewers a unique perspective on interpersonal relationships and emotional connections. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Blake Edwards brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1963, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Pink Panther took approximately 9 months from pre-production to final cut.
- The final cut of the film runs for 115 minutes, though the director's initial assembly was reportedly 139 minutes long.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The costume department created over 399 unique costume pieces for the production.
- Some visual effects sequences took up to 11 months to complete.
Historical Context
- In 1963, when this film was released:
- Social and cultural revolution was transforming Western societies.
- Counterculture movements were challenging traditional values.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While The Pink Panther shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Cable Guy, which focuses more on action than character development, The Pink Panther offers a fresh perspective through its innovative visual language and narrative structure.
While films like The Kid and The Count explore similar territory, The Pink Panther stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: December 18, 1963
- Runtime: 1h 55m
- Revenue: $10,878,107
Where to Watch


