Cast
View AllPaul Hogan
as Michael J. 'Crocodile' Dundee
Linda Kozlowski
as Sue Charleton
Jere Burns
as Arnan Rothman
Jonathan Banks
as Milos Drubnik
Alec Wilson
as Jacko
Gerry Skilton
as Nugget O'Cass
Steve Rackman
as Donk
Serge Cockburn
as Mikey Dundee
Aida Turturro
as Jean Ferraro
Paul Rodríguez
as Diego
Kaitlin Hopkins
as Miss Mathis
Patrick Dargan
as Troy
Matt Winston
as Limo Driver
Morgan O'Neill
as Matt
Clare Carey
as Skater
Crew
Director
- Simon Wincer
Writer
- Matthew Berry
Producer
- Perry Katz
- Lance Hool
- Paul Hogan
- Conrad Hool
Reviews
John Chard
Dundee Death Knell?
Mick "Crocodile" Dundee (Paul Hogan) is in Los Angeles with his son and Sue Charlton (Linda Kozlowski), his longtime companion. There's something amiss in the world of movies and art, and Dundee is soon to be right in the middle of it.
Undeniably the worst of the three Crocodile Dundee movies, to the point where you wonder just why anyone at the studio gave it the green light? By the time Crocodile Dundee II came out in 1988, it was obvious that much of the charm and adventure like magic from the first film had greatly diminished. So fast forward 13 years and they saw fit to produce another movie.
Strangely enough it turns out to not be a complete stinker, yes the formula is tired, I mean how many times can you do the fish out of water comedy before it gets lame? But there's some genuinely funny sequences in here, with barbed asides towards the movie industry and the American way of life. Hogan and Kozlowski are still likable leads, their chemistry cemented, and if you can get past the stereotypes on show (they forgot this was not the 80s!) there's some fun to be had on a time waster basis.
Instantly forgettable, and certainly not needed, it is however a pic that fans of the first two films can find a modicum of comfort in. 5.5/10
May 8, 2016
Wuchak
***Meh sequel, but a handful of genuine laughs***
Sue (Linda Kozlowski) has to fill-in at a newspaper in Los Angeles for a few weeks and so Mick (Paul Hogan) & their son tag along. Misadventures ensue as they investigate a dubious movie production company.
“Crocodile Dundee in Los Angeles” (2001) is the final flick of the trilogy and easily the least. Hogan is still his genial self and Linda is more beautiful than ever at 42 (during shooting), inside and out, but too much of the story is flat and the the constant product placements are annoying. Still, it’s likable nonsense and I found myself busting out laughing at the goofy humor at least seven times.
The film runs 1 hour, 32 minutes and was shot in (big surprise) Australia and Los Angeles.
GRADE: C
Jan 29, 2019
Thematic Analysis
Crocodile Dundee in Los Angeles represents a fascinating example of Adventure/Comedy cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Simon Wincer brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2001, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Crocodile Dundee in Los Angeles took approximately 9 months from pre-production to final cut.
- With a budget of $21.2 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 95 minutes, though the director's initial assembly was reportedly 123 minutes long.
- The musical score contains over 69 unique compositions.
- The screenplay went through 12 major revisions before the final shooting script was approved.
- Some visual effects sequences took up to 5 months to complete.
Historical Context
- In 2001, when this film is released:
- Digital technology was disrupting traditional media and entertainment.
- Environmental concerns were becoming more mainstream.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While Crocodile Dundee in Los Angeles shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Rush Hour 3, which takes a more conventional approach to its subject matter, Crocodile Dundee in Los Angeles offers a fresh perspective through its innovative visual language and narrative structure.
While films like Rush Hour 2 and Kiss Kiss Bang Bang explore similar territory, Crocodile Dundee in Los Angeles stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: April 12, 2001
- Runtime: 1h 35m
- Budget: $21,150,000
- Revenue: $39,438,674
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