Cast
View AllSamuel L. Jackson
as Sgt. Dan 'Hondo' Harrelson
Colin Farrell
as Jim Street
Michelle Rodriguez
as Chris Sanchez
LL Cool J
as Deacon 'Deke' Kaye (as James Todd Smith aka LL Cool J)
Josh Charles
as T.J. McCabe
Jeremy Renner
as Brian Gamble
Brian Van Holt
as Michael Boxer
Olivier Martinez
as Alex Montel
Domenick Lombardozzi
as GQ
Reg E. Cathey
as Lt. Greg Velasquez (as Reginald E. Cathey)
Larry Poindexter
as Capt. Thomas Fuller
Page Kennedy
as Travis
James DuMont
as Gus
Denis Arndt
as Sgt. Howard
Lindsey Ginter
as Agent Hauser
Crew
Director
- Clark Johnson
Producer
- Dan Halsted
- Chris Lee
- Neal H. Moritz
Reviews
John Chard
Competent actioner.
S.W.A.T. is neither here nor there, in that if it was made ten years earlier it would in all probability be better thought of. The problem is that there is such a long line of action movies that entertain without pushing the boat out, some, like S.W.A.T., throw a good cast list at it and hope that carries the film through, others just go over the top with the pyrotechnics and think that is job done. Abandon hope of something fresh and exhilaratingly kinetic and S.W.A.T. passes muster.
The plot of S.W.A.T. basically sees Samuel L. Jackson put in charge of a crack team of five cops with attitude and guts. Their main mission, after all the training and baring out of character's respective traits and psychological make-ups, is to ensure an imprisoned drug kingpin doesn't get broken out of jail after said scum-bag offers a huge cash reward to anyone that can break him out of said police custody. Cue crash, bangs, double-crosses and a face from the past coming back into the picture after being telegraphed by an incident that opens the film.
Along with Sam are Colin Farrell, Michelle Rodriguez, LL Cool J, Josh Charles and Brian Van Holt. Oliver Martinez slips into the slimy villain shoes and Jeremy Renner does another one of his unhinged characterisations. Director Clark Johnson never breaks free of his TV roots, because the film often feels like a glorified TV episode, but his action construction is competent and he has decent actors to keep the film from sinking down among the dead men. Competent is the key word here, it's a decent time waster for the action movie fan, but really it feels like the action movie hadn't advanced much from the previous decade. A shame because there was much potential in the story. 6/10
Sep 25, 2014
Thematic Analysis
This high-octane Action/Thriller/Crime film balances spectacular sequences with character-driven moments. Unlike many films in the genre, S.W.A.T. distinguishes itself through a unique visual style and creative action choreography.
Director Clark Johnson brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2003, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of S.W.A.T. took approximately 12 months from pre-production to final cut.
- With a budget of $80.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 117 minutes, though the director's initial assembly was reportedly 168 minutes long.
- The screenplay went through 13 major revisions before the final shooting script was approved.
- The cast underwent specialized training for 4 weeks before filming began.
- Some visual effects sequences took up to 8 months to complete.
Historical Context
- In 2003, when this film is released:
- Social media platforms were beginning to transform communication.
- Environmental concerns were becoming more mainstream.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While S.W.A.T. shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Mulholland Drive, which focuses more on action than character development, S.W.A.T. subverts genre expectations by exploring its themes with greater nuance.
While films like Breathless and Point Break explore similar territory, S.W.A.T. stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: August 8, 2003
- Runtime: 1h 57m
- Budget: $80,000,000
- Revenue: $207,700,000