Cast
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Jean Gabin
as Clément / Maurice Lafarge
Ellen Drew
as Yvonne
Richard Whorf
as Lt. Varenne
Dennis Moore
as Maurice LeFarge
Ralph Morgan
as Col. DeBoivin
Peter van Eyck
as Hafner
John Philliber
as Mortemart
Eddie Quillan
as Bouteau
Charles McGraw
as Menessier
Allyn Joslyn
as Bouteau
John Qualen
as Monge
Crew
Director
- Julien Duvivier
Writer
- Julien Duvivier
Reviews
Thematic Analysis
As a dramatic work, The Impostor examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Julien Duvivier brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1944, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The Impostor took approximately 3 months from pre-production to final cut.
- The final cut of the film runs for 92 minutes, though the director's initial assembly was reportedly 123 minutes long.
- The film contains approximately 884 individual shots.
- The costume department created over 249 unique costume pieces for the production.
- Several scenes were filmed in multiple locations to capture the perfect setting.
Historical Context
- In 1944, when this film was released:
- Television was becoming a dominant form of home entertainment.
- The civil rights movement was gaining momentum in the United States.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While The Impostor shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Remains, which focuses more on action than character development, The Impostor subverts genre expectations by exploring its themes with greater nuance.
While films like The Double Life of Véronique and A French Woman explore similar territory, The Impostor stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: February 10, 1944
- Runtime: 1h 32m
