Cast
View AllAlicia Vikander
as Katherine Parr
Jude Law
as Henry VIII
Eddie Marsan
as Edward Seymour
Sam Riley
as Thomas Seymour
Simon Russell Beale
as Stephen Gardiner
Erin Doherty
as Anne Askew
Ruby Bentall
as Cat
Bryony Hannah
as Ellen
Maia Jemmett
as Dot
Amr Waked
as El Farabi
Patsy Ferran
as Princess Mary
Junia Rees
as Princess Elizabeth
Patrick Buckley
as Prince Edward
Andy M Milligan
as Earl of Warwick
Edward Harrison
as John Gates
Crew
Director
- Karim Aïnouz
Writer
- Henrietta Ashworth
- Jessica Ashworth
Producer
- Carolyn Marks Blackwood
- Gabrielle Tana
Reviews
CinemaSerf
This rather sumptuous historical drama starts off with a caption that tells us we are all taught from history books about men and war. That appears to serve the purpose of excusing what comes next from at attempts to reflect what little is actually known of Katherine Parr. She was the final wife of England's Henry VIII and was known as a woman who favoured the translation of the bible from Latin into English to broaden it's access by the people. She (Alicia Vikander) quickly finds a powerful enemy in Bishop Gardiner (Sir Simon Russell Beale) who strives to prove the point of her friend, the rabble-rouser, Anne Askew (Erin Doherty) that it's important to the clergy and, indeed, to the King himself (Jude Law) that the interpretation of God's word is left to those more qualified - and certainly more adept at controlling the message it might convey! With Askew's life in constant danger, the Queen tries to help and that brings her cat and mouse game with Gardiner to an perilous head for a women married to a distrusting man who still obsesses about having another son as as spare to Prince Edward (Patrick Buckley). What Karim Aïnzou has managed here is to create something that looks authentic. The attention to the detail is lavish and depicts court life in quite a potent fashion. From singing to savagery in seconds being quite the norm. The thrust of the story itself, though, is thin and really struggles to pad out the two hours. There are too many lingering close ups, the pace of the thing is glacially slow and even the most basic of the aforementioned history books tells you what does happen in the end, so the attempts at jeopardy - though they do sometimes illustrate that being queen offered her little protection from the scheming plotters eyeing the secession - falls a bit flat. Though I did quite like the idea of the denouement, it's not remotely plausible and that rather sums up this disappointing drama that's very heavy on the speculation and doesn't really give Vikander much meat to put on the bones of a story about a women caught up in the dregs of this despotic Tudor reign.
Sep 7, 2024
Thematic Analysis
As a dramatic work, Firebrand examines complex human relationships and emotional struggles against the backdrop of contemporary challenges that mirror our own experiences. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Karim Aïnouz brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 2024, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Firebrand took approximately 11 months from pre-production to final cut.
- The final cut of the film runs for 120 minutes, though the director's initial assembly was reportedly 157 minutes long.
- The screenplay went through 11 major revisions before the final shooting script was approved.
- The film contains approximately 1474 individual shots.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 2024, when this film is released:
- The COVID-19 pandemic transformed global health, economics, and social interaction.
- Climate change mitigation had become a central policy concern internationally.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While Firebrand shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Hottest State, which focuses more on action than character development, Firebrand subverts genre expectations by exploring its themes with greater nuance.
While films like Morvern Callar and Through My Window: Across the Sea explore similar territory, Firebrand stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: March 27, 2024
- Runtime: 2h
- Revenue: $2,603,084
Where to Watch
