Cast
View AllKyle MacLachlan
as Paul Atreides
Francesca Annis
as Lady Jessica
Patrick Stewart
as Gurney Halleck
Linda Hunt
as Shadout Mapes
José Ferrer
as Padisha Emperor Shaddam IV
Freddie Jones
as Thufir Hawat
Brad Dourif
as Piter De Vries
Richard Jordan
as Duncan Idaho
Virginia Madsen
as Princess Irulan
Silvana Mangano
as Reverend Mother Ramallo
Everett McGill
as Stilgar
Sting
as Feyd Rautha
Kenneth McMillan
as Baron Vladimir Harkonnen
Jack Nance
as Nefud
Siân Phillips
as Reverend Mother Gaius Helen Mohiam
Crew
Director
- David Lynch
Producer
- Raffaella De Laurentiis
- Dino De Laurentiis
Reviews
JPV852
I know this one has a decent fanbase (both of the novel and movie) but as someone who never read the novel, this first viewing, I found it to be... okay. I can appreciate some of the effects both practical and visual (for its time) but the story and characters never really grabbed me. I was never bored however wasn't engaged and thought, and perhaps this is how it was with the novel), the main character played by Kyle McLaghlan didn't seem to face much conflict outside of a knife-to-knife fight at the end with Sting, which was anti-climactic and underwhelming considering he already got his revenge on his father's murderer.
Not sure I have much interest in coming back to this but have some interest to see what Denis Villeneuve does with his adaptation. **3.0/5**
Sep 2, 2021
badelf
I read Frank Herbert's book, _Dune_, when I was in high school and really don't remember it much except that it was great and a little scary. At that age, I probably didn't get the subtext message.
I never saw any movies of it so I decided to watch both the 1984 Dune by David Lynch and the 2021 Denis Villeneuve version sequentially. I review Lynch's version here and both versions in my 2021 Dune review.
This may not be a popular opinion: Lynch's version (this one) is **brilliant** and the Villeneuve Dune is absolute **shit**. Here's why:
Are the character's in David Lynch's version kitschy and over the top? Yes! That's one reason it's so much better! It's Sci Fi, duh! You watch Marvel movies and suspend disbelief for super powers? All of Lynch's characters are downright gritty and believable within this particular surreal fantasy.
By the end of the Lynch Dune, I had sympathy for nearly every character in the film. Even the villains caught my emotions. Paul Atreides character development was realistic and attractive.
But here's the clincher: the screenplay. David Lynch gave us a complete story. Sadly, he didn't have the final cut and disowned his film when the critics panned it. Despite the fact that Lynch is a true artist and genius, the studio took 45 minutes out of the film. 45 minutes! I would LOVE to see the original cut!
Even ruined by the studio, even 40 years later, Lynch's film has a clear vision and carries the timeless message that Frank Herbert intended. I can't say that for the Villeneuve version. Do yourself a favor and see David Lynch's version.
Nov 15, 2021
Filipe Manuel Neto
**It deserves to be forgotten.**
I don't read the book on which this film is based, I've never seen it for sale, I have doubts if it will exist in Portuguese bookstores. I'm not particularly fond of fiction set in space, but I recognize the quality when I see it. And I didn't see any quality in this film.
The script is totally idiotic: we have an evil galactic empire (someone has been watching “Star Wars” too much), ruled by a tyrant (really original) and a war of resistance in which there is a hero fighting for democracy and freedom on a sandy and inhospitable planet. The problem is that this planet is the only one where it is possible to cultivate a kind of hallucinogenic drug that is vital in the economy and functioning of that empire.
Films directed by David Lynch are not to everyone's taste, and although I liked what he did in other works ("Blue Velvet" and "Mulholland Dr." are, for me, the director's best works), I don't think he was cut out for making sci-fi movies. He has a very visual and stylized style as a director, and mixing that with special effects, a bizarre setting and an even stranger story was a bad marriage. I also have my doubts regarding the collaboration of Dino de Laurentiis… with very rare exceptions, I didn't really like the films in which this director was involved… at least the ones I've seen so far.
Even so, I have no doubt that the potential of the project and the union of efforts of these two names allowed access to a good budget and attracted actors to the cast. However, Lynch doesn't seem comfortable with the material and, aside from some very visual scenes where his signature is present, he doesn't give us much more and isn't able to direct the cast in the best way. I think the director himself is aware of this. Moreover, the weak critical reception and the bad box office results helped to bury the project, which today is conveniently forgotten.
The cast is, in general, quite weak, especially considering the budget involved and the names of the director and producers. Sting, the rock singer, appears in the project, but he's not an actor, and he never gives us a real interpretation: he just says what he needs and shows off. The scene where he appears almost without clothes is, to say the least, idiotic. Patrick Stewart and Max Von Sydow are totally out of the limelight and given minor characters in a movie where they could have possibly done more. Virginia Madsen is ineffective and doesn't convince us, Kyle MacLachlan was a casting mistake, and all other actors settle for mediocrity.
The film has stylized cinematography and many gimmicks, which would have worked better if the film itself weren't already too unrealistic and imaginative. The visual and special effects don't always work well, and the sets and costumes are, to say the least, of questionable taste. The soundtrack is quite epic, but given the general lack of quality, it sounds too pompous for the movie that it is.
Oct 17, 2022
Thematic Analysis
This high-octane Action/Science Fiction/Adventure film balances spectacular sequences with character-driven moments. Unlike many films in the genre, Dune distinguishes itself through a unique visual style and creative action choreography.
Director David Lynch brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1984, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Dune took approximately 8 months from pre-production to final cut.
- With a budget of $40.0 million, the film represented a significant investment in bringing this story to the screen.
- The final cut of the film runs for 137 minutes, though the director's initial assembly was reportedly 185 minutes long.
- Some visual effects sequences took up to 10 months to complete.
- The screenplay went through 7 major revisions before the final shooting script was approved.
- The film contains approximately 1888 individual shots.
Historical Context
- In 1984, when this film was released:
- MTV launched, changing how music was marketed and consumed.
- The Cold War was entering its final phase.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Dune shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Island Escape, which takes a more conventional approach to its subject matter, Dune offers a fresh perspective through its innovative visual language and narrative structure.
While films like Forbidden Zone: Effigy and Paddington explore similar territory, Dune stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: December 14, 1984
- Runtime: 2h 17m
- Budget: $40,000,000
- Revenue: $30,982,607
Where to Watch

