Cast
View AllHugh Bonneville
as Robert Crawley
Maggie Smith
as Violet Crawley
Jim Carter
as Charles Carson
Michelle Dockery
as Mary Crawley
Elizabeth McGovern
as Cora Crawley
Imelda Staunton
as Maud Bagshaw
Penelope Wilton
as Isobel Merton
Robert James-Collier
as Thomas Barrow
Lesley Nicol
as Beryl Patmore
Allen Leech
as Tom Branson
Laura Carmichael
as Edith Crawley
Phyllis Logan
as Mrs Hughes
Dominic West
as Guy Dexter
Harry Hadden-Paton
as Bertie Hexham
Hugh Dancy
as Jack Barber
Crew
Director
- Simon Curtis
Producer
- Julian Fellowes
- Liz Trubridge
- Gareth Neame
Reviews
CinemaSerf
This latest offering from Julian Fellowes presents two stories centred around the landed "Grantham" family. The first sees the dashing "Barker" (Hugh Dancy) come to Downton to make a film - that will pay for a much needed new roof - and soon makes friends with the absentee-husbanded "Lady Mary" (Michelle Dockery). Sadly, though, he soon discovers that silent movies are rapidly losing their charm - and the stars, especially an entertaining "Myrna" (Laura Haddock) are facing a challenge that ended the careers of many a silent movie star - a voice that could strip paint. Meantime the grown ups head to the south of France to investigate a beautiful villa that has been bequeathed to the elderly Dowager Countess, and where they must tread a fine line between a generous welcome and open hostility from the erstwhile owners of this lavish property. We flit between the two threads effortlessly, with plenty of grand cinematography at both Highclere Castle and on the Côte D'Azur. The script is frequently quite amusing - with most of the best lines from those "downstairs"; there is a soupçon of romance, the odd bit of melodrama and loads for fans of these characters to enjoy. I found the Deborah Mitford-esque ending quite poignant too, with the Dames Maggie Smith and Penelope Wilton alongside a film-stealing scene from the underused Kevin Doyle ("Moseley") adding weight and pith to the story. I still struggle with Elizabeth McGovern, Hugh Bonneville is most certainly not at his best here, and the French story seems contrived at times, but essentially this is just another stylish template for some well established acting talent to deliver well established roles in a characterful and engaging fashion. Looks good and is, but I have to say - I do hope it really is the end of an era...
May 2, 2022
Peter McGinn
After all this time, I didn’t expect Julian Fellowes to mess with his formula and start having radical plot twists and unexpected tragedies and mayhem. It is a comfortable family viewing franchise. If anything, except for the same-sex relationship element, it is less adventurous than it used to be. But that is all fine with me. It is like the new All Creatures Great and Small series: I know what to expect, but with an ensemble characters I know and like I don’t care.
There were a few incidents that weren’t quite believable, such as a novice writer suddenly becoming a successful playwright, but it suited the plot and helped fill out the feel-good developments for nearly all the characters.
There were no thrills chills or spills, but enough gentle humor and plot development to keep me engaged and watching with interest to the end.
Jun 20, 2022
Coco Sea
The elegant, grand cinematography seduces your soul and attention throughout the film. The august natural environs and splendid humin environs complement one another. The modest yet haute fashion is desirable. The sailing, soothing, splaying theme song --- which announces, "Quelque choses de magnifique arrive" --- returns to us and I am pleased.
What a splendid cinematic jaunt to the British aristocracy of the early 19th century! The soundtrack is an accurate reflection of the uplifting and joyful tone of this film. Love has been gained; births and growths have occurred; understanding has been reached; and those who have sought to settle, have. Now, enters the hectic and intriguing world of early 19th century film. Now, enters a Crawley secret of the past. Now, enters a never anticipated good-bye yet surprise for the future.
Wonderfully acted, the direction could have been better; it was too choppy. I would have hired the team of Merchant Ivory, known to deliver smooth, quietly uplifting, and nostalgic film direction. Also, I would have allowed the film to be two hours, instead one-hour and a half. I would have created a more femel-inclusive film with a femel director (or, at least, a femel director for the film within in the femel); femel composers; and an all-femel big band. But, few have the moxie to go all the way with the nice stuff in Life, like Count Viktoria!
Dec 25, 2023
Thematic Analysis
As a dramatic work, Downton Abbey: A New Era examines complex human relationships and emotional struggles against the backdrop of contemporary challenges that mirror our own experiences. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Simon Curtis brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 2022, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of Downton Abbey: A New Era took approximately 28 months from pre-production to final cut.
- With a budget of $40.0 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 124 minutes, though the director's initial assembly was reportedly 148 minutes long.
- The film contains approximately 1484 individual shots.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The costume department created over 199 unique costume pieces for the production.
Historical Context
- In 2022, when this film is released:
- Climate change mitigation had become a central policy concern internationally.
- The COVID-19 pandemic transformed global health, economics, and social interaction.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While Downton Abbey: A New Era shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Murder at the Gallop, which focuses more on action than character development, Downton Abbey: A New Era offers a fresh perspective through its innovative visual language and narrative structure.
While films like The Music Room and The Holiday explore similar territory, Downton Abbey: A New Era stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: April 27, 2022
- Runtime: 2h 4m
- Budget: $40,000,000
- Revenue: $92,651,384
Where to Watch


