Cast
View All
Crew
Director
- Daniel Schneidermann
- François Chayé
Reviews
Thematic Analysis
Arrêt sur images : le traitement par la télévison de la grêve de 1995 represents a fascinating example of Documentary cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Daniel Schneidermann brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1996, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Arrêt sur images : le traitement par la télévison de la grêve de 1995 took approximately 7 months from pre-production to final cut.
- The final cut of the film runs for 52 minutes, though the director's initial assembly was reportedly 100 minutes long.
- The costume department created over 334 unique costume pieces for the production.
- The film contains approximately 1520 individual shots.
- Several scenes were filmed in multiple locations to capture the perfect setting.
Historical Context
- In 1996, when this film was released:
- Globalization was accelerating economic and cultural exchange.
- Digital technology was transforming the entertainment industry.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
Details
- Release Date: January 20, 1996
- Runtime: 52m