Cast
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Gian Maria Volonté
as Professore Paolo Laurana
Irene Papas
as Luisa Roscio
Gabriele Ferzetti
as Avvocato Rosello
Laura Nucci
as Roscio's Mutter
Mario Scaccia
as curato di Sant'Amo
Luigi Pistilli
as Arturo Manno
Leopoldo Trieste
as deputato comunista
Salvo Randone
as Professore Roscio
Giovanni Pallavicino
as Raganà
Tanina Zappalà
as
Luciana Scalise
as Rosina
Orio Cannarozzo
as La Marca
Anna Rivero
as Signora Manno
Michele Jannucci
as
Franco Tranchina
as Dr. Antonio Roscio
Crew
Director
- Elio Petri
Producer
- Giuseppe Zaccariello
Reviews
Thematic Analysis
As a dramatic work, We Still Kill the Old Way examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Elio Petri brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1967, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of We Still Kill the Old Way took approximately 25 months from pre-production to final cut.
- The final cut of the film runs for 99 minutes, though the director's initial assembly was reportedly 146 minutes long.
- The musical score contains over 80 unique compositions.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The film contains approximately 1270 individual shots.
Historical Context
- In 1967, when this film was released:
- The space race between the USSR and USA was at its height.
- Social and cultural revolution was transforming Western societies.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While We Still Kill the Old Way shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Wilbur Wants to Kill Himself, which focuses more on action than character development, We Still Kill the Old Way offers a fresh perspective through its innovative visual language and narrative structure.
While films like Don't Worry, I'm Fine and The Dreamers explore similar territory, We Still Kill the Old Way stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: February 24, 1967
- Runtime: 1h 39m
Where to Watch
