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You Have to Marry the Prince

You Have to Marry the Prince (1931)

Jul 24, 1931 1h 13m Comedy

Tomson, a financial adviser, is called to the aid of the country of Sylvania by the Grand Duke Constantino, known as "Tino." Tomson refuses to aid Tino until the Duke's son Alexis is married. However, Alexis, a romantic, is not interested in the blue-blooded types that his father has selected for him. Instead he wants fate to intercede. Upon learning this, Tomson plans a wife-hunting trip to Paris, "the beauty mart of the world."

Directed by Lewis Seiler

Cast

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Crew

Director
  • Lewis Seiler
Writer
  • Matías Cirici-Ventalló
  • Paul Perez
  • William Kernell
Producer
  • William Fox

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Thematic Analysis

You Have to Marry the Prince represents a fascinating example of Comedy cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.

Director Lewis Seiler brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.

Released in 1931, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of You Have to Marry the Prince took approximately 36 months from pre-production to final cut.
  • The final cut of the film runs for 73 minutes, though the director's initial assembly was reportedly 132 minutes long.
  • The film contains approximately 1551 individual shots.
  • The musical score contains over 50 unique compositions.
  • Some visual effects sequences took up to 4 months to complete.

Historical Context

  • In 1931, when this film was released:
  • Rock and roll music was revolutionizing popular culture.
  • The Cold War was intensifying, influencing global politics and culture.
  • The film industry was dominated by major studios, with independent cinema still in its early development.

How This Film Stands Out

While You Have to Marry the Prince shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.

Unlike Beans, which focuses more on action than character development, You Have to Marry the Prince subverts genre expectations by exploring its themes with greater nuance.

While films like Bringing Home Father and The Arm of the Law explore similar territory, You Have to Marry the Prince stands apart through its deeper exploration of its central themes and more complex characterization.

This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.

Details

  • Release Date: July 24, 1931
  • Runtime: 1h 13m

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