Cast
View All
Carmen Larrabeiti
as Hallie Hobart
Tony D'Algy
as David Stone
Félix de Pomés
as Mark Stone
Miguel Ligero
as Charlie Thorne
Amelia Muñoz
as Telefonista
Manuel Vico
as Ezra Stone
Manuel Russell
as Doctor Reynolds
Pedro Barreto
as Kent Carr
Mercedes Servet
as Tia Betty
José Sierra de Luna
as Hammond
Carlos Díaz de Mendoza
as Monk McConnell
Crew
Director
- Adelqui Migliar
Reviews
Thematic Analysis
As a dramatic work, La fiesta del diablo examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Adelqui Migliar brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1931, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of La fiesta del diablo took approximately 11 months from pre-production to final cut.
- The final cut of the film runs for 93 minutes, though the director's initial assembly was reportedly 137 minutes long.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The film contains approximately 1285 individual shots.
- Several scenes were filmed in multiple locations to capture the perfect setting.
Historical Context
- In 1931, when this film was released:
- Television was becoming a dominant form of home entertainment.
- Rock and roll music was revolutionizing popular culture.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While La fiesta del diablo shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike The Vanity Case, which takes a more conventional approach to its subject matter, La fiesta del diablo offers a fresh perspective through its innovative visual language and narrative structure.
While films like A Love Sublime and The Man, the Mission and the Maid explore similar territory, La fiesta del diablo stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: February 11, 1931
- Runtime: 1h 33m
