Barbary Coast

Barbary Coast

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Love was a gamble she couldn't afford to lose.

Director: Howard Hawks

Writer: Ben Hecht, Charles MacArthur

Producer: Samuel Goldwyn

Mary Rutledge arrives from the east, finds her fiancé dead, and goes to work at the roulette wheel of Luis Chamalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She falls in love with miner Jim Carmichael and takes his gold dust at the wheel. She goes after him, Chamalis goes after her with intent to harm Carmichael.

91 min Rating: 6.6/10 Released
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Top Cast

Miriam Hopkins
Miriam Hopkins
Mary 'Swan' Rutledge
Edward G. Robinson
Edward G. Robinson
Luis Chamalis
Joel McCrea
Joel McCrea
Jim Carmichael
Walter Brennan
Walter Brennan
Old Atrocity
Frank Craven
Frank Craven
Col. Marcus Aurelius Cobb
Brian Donlevy
Brian Donlevy
Knuckles Jacoby

Movie Info

Director: Howard Hawks

Writer: Ben Hecht, Charles MacArthur

Producer: Samuel Goldwyn

Production Companies: Samuel Goldwyn Productions, United Artists

Countries: United States of America

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User Reviews

What Others Said

CinemaSerf: It's quite interesting to see Edward G Robinson ("Louis Chamalis") in this period melodrama sets in a largely lawless San Francisco of the 1850s, but charismatic as he certainly is - even with his coiffured hair and frilly shirts - he cannot really raise this mediocre effort. Miriam Hopkins is "Swan" - a woman who arrives from New York to marry a miner who has fallen foul of the drink/gambling and gunmen. Determined to stay, she alights on the local casino owner (Robinson) and is soon part of the fabric of his place. When one day she goes riding and gets caught in a storm, she shelters with the rather decent "Jim Carmichael" (Joel McCrae) who has made a bit from his claim and wants to head back to New York. Fog sets in, his sailing is delayed and next thing he is led to their den of iniquity by Walter Brennan and you can guess what happens next. It's set at a time when the upright citizens were starting to take a stand against the corruption that was governing their lives in their so called "vigilante" phase, but this unrequited love story is so light and fluffy that by the ending, the plot has long since run out of steam and the actions of the "respectable" townsfolk come across as far more horrific than anything done by the hoodlums.