Cast
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Patrick Hivon
as Cédric
Monia Chokri
as Nadine
Nadia Tereszkiewicz
as Amy
Steve Laplante
as Jean-Michel
Hubert Proulx
as Tessier
Stéphane Moukarzel
as Carlos
Nathalie Breuer
as Brigitte
Patrice Dubois
as Christian
Ève Duranceau
as Chantal Tremblay
Geneviève Beaudet
as Paediatrician
Patricia Lanoie
as Aqua-baby Leader
Adina Darie
as Girl Who Looks Like Kim Kardashian
Valerie-Pascale Bourque
as Girl Who Looks Like Anastasia Karanikolaou
Amélie Grenier
as TV Presenter #1
Varda Étienne
as TV Presenter #2
Crew
Director
- Monia Chokri
Writer
- Catherine Léger
Producer
- Martin Paul-Hus
- Catherine Léger
- Pierre-Marcel Blanchot
- Fabrice Lambot
Reviews
badelf
This film is what happens when Avant Garde and French farce with a mission meets Magic Surrealism. Babysitter opens with a completely frenetic energy that only eases later in those moments of self-reflection, for both ourselves and Nadine (played by Monia Chokri, the director).
In between the wacky opening and the thought-provoking third act, the film is mostly farcical, high-speed comedy. The actors all do a great job. Babysitter is an AK-47 assault weapon with dead-on aim at misogyny, toxic masculinity, and all things male of the hidden insecurities variety type.
Given it's style and subject, all designed to make us uncomfortable, this film is not for everyone. But if you really don't have any of those male insecurities to act out, Babysitter is politically incorrect and f-in' hilarious. And let's be honest, it's a rare opportunity to watch a politically incorrect film - just like in the old days.
Aug 23, 2022
Thematic Analysis
Babysitter represents a fascinating example of Comedy cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Monia Chokri brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2022, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Babysitter took approximately 19 months from pre-production to final cut.
- The final cut of the film runs for 88 minutes, though the director's initial assembly was reportedly 108 minutes long.
- The cast underwent specialized training for 8 weeks before filming began.
- The screenplay went through 14 major revisions before the final shooting script was approved.
- The film contains approximately 2413 individual shots.
Historical Context
- In 2022, when this film is released:
- Streaming platforms had largely replaced traditional cinema and television models.
- Artificial intelligence was becoming increasingly integrated into daily life and creative industries.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While Babysitter shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Running with Scissors, which focuses more on action than character development, Babysitter offers a fresh perspective through its innovative visual language and narrative structure.
While films like Die drei Mädels von der Tankstelle and There's Something About Mary explore similar territory, Babysitter stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: April 27, 2022
- Runtime: 1h 28m
