Cast
View AllMichelle Williams
as Marilyn Monroe
Kenneth Branagh
as Sir Laurence Olivier
Eddie Redmayne
as Colin Clark
Dominic Cooper
as Milton Greene
Philip Jackson
as Roger Smith
Derek Jacobi
as Sir Owen Morshead
Toby Jones
as Arthur Jacobs
Michael Kitchen
as Hugh Perceval
Julia Ormond
as Vivien Leigh
Simon Russell Beale
as Cotes-Preedy
Dougray Scott
as Arthur Miller
Zoë Wanamaker
as Paula Strasberg
Emma Watson
as Lucy
Judi Dench
as Dame Sybil Thorndike
Jim Carter
as Barry
Crew
Director
- Simon Curtis
Producer
- Harvey Weinstein
- David Parfitt
Reviews
CinemaSerf
I reckon this might be my favourite effort from Michelle Williams as she plays the eponymous screen legend who arrives in the UK to play opposite Sir Laurence Olivier (Kenneth Branagh) in "The Prince and the Showgirl". Meantime, budding writer Colin Clark (Eddie Redmayne) is desparate to get into the film industry and so has been doorstepping producer Hugh Perceval (Michael Kitchen) for ages. Eventually, he gets a foot in the door the a chance introduction to Sir Larry leads to another one with Monroe and soon young Clark finds himself tasked with keeping this increasingly flaky woman on message as it's fair to say that her methods are not quite as rigorous or disciplined as those of her co-star. If you've seen the 1957 film, you'll know that it possibly isn't anyone's finest hour - except, perhaps, for Dame Sybil Thorndyke who here portrayed by Dame Judi Dench offers the American visitor some semblance of understanding and tolerance as tempers fray and the relationship between Colin and Marilyn starts to intensify. The narrative is based on Clark's two books on the subject, so it does offer us quite an authentic and sensitive insight into just how that one week padded out; how these contrasting personalities and their working practices struggled to reconcile and Williams looks entirely comfortable as the troubled actress as does the uncannily made-up Branagh as an Olivier all too used to getting his own way. Redmayne makes surprisingly little impact - perhaps because his character must remain objective as a narrator and not unsurprisingly Clark wasn't keen on embellishing his own role - intimate or not - with Monroe. Both she and Olivier are fascination creatures in cinema history and this biopic presents us with a glimpse of just how creative clashes can result in a positive spark.
Jul 10, 2024
Thematic Analysis
As a dramatic work, My Week with Marilyn examines complex human relationships and emotional struggles against the backdrop of contemporary challenges that mirror our own experiences. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Simon Curtis brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 2011, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of My Week with Marilyn took approximately 3 months from pre-production to final cut.
- With a budget of $6.4 million, the film proved to be a financial success, earning back its investment and more.
- The final cut of the film runs for 99 minutes, though the director's initial assembly was reportedly 131 minutes long.
- The cast underwent specialized training for 8 weeks before filming began.
- The costume department created over 411 unique costume pieces for the production.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 2011, when this film is released:
- Smartphones and social media had transformed daily life and communication.
- Climate change awareness was becoming a central global concern.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While My Week with Marilyn shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Baian the Assassin, which takes a more conventional approach to its subject matter, My Week with Marilyn subverts genre expectations by exploring its themes with greater nuance.
While films like Tomorrow's Dining Table and Candyman explore similar territory, My Week with Marilyn stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: November 23, 2011
- Runtime: 1h 39m
- Budget: $6,400,000
- Revenue: $35,100,000
Where to Watch


