The Harder They Come

The Harder They Come

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With a Piece in His Hand He Takes on the Man!

Director: Perry Henzell

Writer: Perry Henzell, Trevor D. Rhone

Producer: Perry Henzell, Jeff Scheftel

Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.

103 min Rating: 6.523/10 Released
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Top Cast

Jimmy Cliff
Jimmy Cliff
Ivanhoe "Ivan" Martin

Movie Info

Director: Perry Henzell

Writer: Perry Henzell, Trevor D. Rhone

Producer: Perry Henzell, Jeff Scheftel

Production Companies: International Films

Countries: Jamaica

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User Reviews

What Others Said

CinemaSerf: Firstly, a quick shout out for the new Garden Cinema in Holborn, London where I saw this recently. A small cinema, but it's great to see a new venue opening so give it a go if you are nearby. To the film, well that sees Jimmy Cliff as "Ivan" - a would-be reggae singer who manages to get himself a record deal with a fairly unscrupulous local producer. The song does OK, but he gets a pretty measly share. Frustrated - and broke - he takes to dealing dope and soon falls foul of the law. Pretty soon he is almost in the Robin Hood sphere of infamy. Despite the persistent efforts of the police - who, admittedly, couldn't hit a barn door with an howitzer - he manages to evade captivity and he quickly becomes Jamaica's most wanted. This has a great soundtrack - "You Can Get It if You Really Want It" features a little too repetitively, but "Many Rivers to Cross" and the eponymous title track along with an edgy and engaging characterisation from Cliff keep it entertaining enough. Technically, the film itself is pretty poorly hung together with some very basic production, editing and the dialogue - authentically using a patois that could maybe have been subtitled? - is pretty difficult to make out as the audio mix is not the best. It ends as history tells us it does, and though I didn't hate it - I think it is more remarkable for it's place in cinema history being the first feature made locally than it will ever be as a notable film.