Cast
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Crew
Director
- Ariel de Bigault
Producer
- Hubert Niogret
Reviews
Thematic Analysis
Black Fragments of Samba - Paulo Moura, Infinite Music represents a fascinating example of Documentary/Music cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Ariel de Bigault brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 1987, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Black Fragments of Samba - Paulo Moura, Infinite Music took approximately 15 months from pre-production to final cut.
- The final cut of the film runs for 56 minutes, though the director's initial assembly was reportedly 103 minutes long.
- The film contains approximately 1211 individual shots.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The cast underwent specialized training for 5 weeks before filming began.
Historical Context
- In 1987, when this film was released:
- MTV launched, changing how music was marketed and consumed.
- Personal computers were beginning to transform homes and workplaces.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
Details
- Release Date: January 1, 1987
- Runtime: 56m