Cast
View AllJon Hamm
as Irwin 'Fletch' Fletcher
Lorenza Izzo
as Angela de Grassi
Kyle MacLachlan
as Ronald Horan
Roy Wood Jr.
as Inspector Morris Monroe
Ayden Mayeri
as Griz
Marcia Gay Harden
as Countess Sylvia de Grassi
John Slattery
as Frank Jaffe
Annie Mumolo
as Eve
Lucy Punch
as Tatiana Tasserly
John Behlmann
as Owen Tasserly
Caitlin Zerra Rose
as Laurel Goodwin
Aaron Andrade
as Julio
Travis "Taco" Bennett
as Breez
Nhumi Threadgill
as Sha
Anna Osceola
as Larry
Crew
Director
- Greg Mottola
Producer
- Connie Tavel
- Jon Hamm
- Bill Block
Reviews
Horseface
There may be a movie here, but you won't be able to see it.
This is one of those movies where the advent of HDR had the crew go, "Well, let's turn off all the lights and fire the post-production crew."
In other words, it's impossible to see what's going on. Absolutely unwatchable.
Sep 24, 2022
CinemaSerf
"I.M. Fletcher" (John Hamm) arrives at a posh apartment procured for him by his aristocratic Italian girlfriend to discover the body of a strange young woman lying on the floor. He calls the cops and is soon the prime suspect of the laconically effective "Insp. Monroe" (Roy Wood Jr.) and his enthusiastic new sidekick "Griz" (Ayden Mayeri). It seems to "Fletch" that the only way he can prove his innocence is to use his legendary investigative journalism skills to get to the bottom of it all. Meantime, his gal at home is trying to fend off her grasping step-mother after her father is kidnapped and the ransom is a Picasso painting that is one of nine that was stolen from their home. Maybe the solution to these mysteries lies in finding the paintings? That trail introduces him to the rather germo-phobe art broker "Horan" (Kyle MacLachlan) and soon an intricate game of cat and mouse is afoot! Essentially this is all about Hamm, and for the first half hour he manages to amusingly, and quite deftly, bounce his character off the others - including the glamorous "Andi" (Lorenza Izzo); her lively nemesis "Countess Sylvia" (Marcia Gay Harden) and his rather flakey next door neighbour "Eve" (Annie Mulolo). That characterisation quickly starts to wear a bit thin, though, and the latter parts of this comedy are pretty derivative and well-travelled with a few set-piece comedy enterprises that start to look more and more like a few conjoined episodes of a television sitcom. Hamm has good timing with his delivery, and his one scene with the scatty Mumolo stands out for me, but otherwise we've seen this all before. Agatha Christie it isn't!
Nov 21, 2022
rsanek
What an amazing film. Love the aesthetic.
Jan 20, 2023
Matt Livingston
I really enjoyed this film. It was funny and campy and Hamm was great. It was fun and didn't take itself too seriously.
Jan 21, 2023
Louisa Moore - Screen Zealots
**By: Louisa Moore / www.ScreenZealots.com**
I tend to be skeptical when it comes to a studio reboot of a film franchise, but “Confess, Fletch” breathes fresh, new life into the series. Based on the Gregory Mcdonald books, the movie sees Jon Hamm stepping into the role that was made famous in the mid-80s by Chevy Chase. The result is a sharp and clever elevated murder mystery for adults.
Investigative journalist Irwin Fletcher (Jon Hamm) is always getting himself into trouble. This time, he becomes the prime suspect in a murder case while searching for the truth behind a stolen multi-million dollar art collection. In order to prove his innocence to a veteran police detective (Roy Wood Jr.), Fletch must eliminate the long list of suspects. He uses his skills to seek out and question a missing playboy (John Behlmann), a Countess (Marcia Gay Harden), an eccentric germophobe art dealer (Kyle MacLachlan), a wacky bohemian neighbor (Annie Mumolo), and even his own Italian girlfriend (Lorenza Izzo) on his quest to uncover the real culprit.
Director Greg Mottola (who also co-wrote the screenplay with Zev Borrow) nails the tone of the original “Fletch” films without making his project feel like a cheap wannabe rip-off. Gone are the goofy disguises made so popular in the 80s films, and Hamm’s version of Fletch captures the charming arrogance of Mcdonald’s literary character. Fletch’s unorthodox methods are still in play, yet he’s not portrayed as a bumbling idiot.
In peak laid back mode, Hamm reaches near perfection in the lead role as the resourceful and witty reporter. It’s a performance that I want to see more of in the future, and that bodes well for subsequent sequels. Hamm’s charisma serves him well in his flawless delivery of the script’s one-line zingers, and his comedic timing is precise yet natural. Those who have a low tolerance for snarky, smart humor will likely be more annoyed than entertained, however.
I was surprised just how much I enjoyed “Confess, Fletch.” It’s so much better than anyone could have ever expected, the supporting cast is terrific, the mystery is entertaining (if ultimately predictable), and the humor is on point. In other words, it’s a lot of fun.
Apr 23, 2023
Peter McGinn
I really liked this movie. It went against my expectations right out of the gate. I don’t know if I would like the original Fletch film with ChevyChase as much as I did as a younger viewer, but I remember enough to say that it was all Fletch. Not so much here. Chevy’s Fletch dominated the story, perhaps every scene. I still remember his sarcastic Oh good, the police, when a corrupt cop showed up.
This Fletch movie is more mature, with more depth. Wisecracking Fletch is still at the center of it, of course, but mostly I enjoyed the scene-stealing cops. There is the exhausted new father, “Slow Motion” Maurice, who talked like a tough cop who disbelieved Fletch and reminded him more than once that he was the main suspect, but who had the patience to wait before arresting him. Perhaps really knew someone was setting him up. And the accident-probe, clumsy Griz, who bumbled around but who ultimately proved to be the brains of the detective team. They played off each other and Fletch well, and I would gladly watch a spin-off show just with them.
The plot is dense in a way, and a piece of critical information is hidden from us for most of the film, but it is all in fun so who really cares? What am I, reviewing for the New York Times or the like? No. Suffice to say that it was entertaining and I suspect I will watch it again someday.
Apr 26, 2023
Thematic Analysis
Confess, Fletch represents a fascinating example of Comedy/Mystery/Crime cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Greg Mottola brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2022, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Confess, Fletch took approximately 16 months from pre-production to final cut.
- With a budget of $20.0 million, the film represented a significant investment in bringing this story to the screen.
- The final cut of the film runs for 99 minutes, though the director's initial assembly was reportedly 124 minutes long.
- The costume department created over 258 unique costume pieces for the production.
- The screenplay went through 5 major revisions before the final shooting script was approved.
- The musical score contains over 31 unique compositions.
Historical Context
- In 2022, when this film is released:
- Climate change mitigation had become a central policy concern internationally.
- Artificial intelligence was becoming increasingly integrated into daily life and creative industries.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While Confess, Fletch shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Through My Window: Across the Sea, which takes a more conventional approach to its subject matter, Confess, Fletch offers a fresh perspective through its innovative visual language and narrative structure.
While films like Three Summers and The Cry of the Owl explore similar territory, Confess, Fletch stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: September 16, 2022
- Runtime: 1h 39m
- Budget: $20,000,000
- Revenue: $500,000
Where to Watch




