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We're Not Here to Fuck Spiders

We're Not Here to Fuck Spiders (2020)

May 14, 2020 1h 22m Crime Thriller

In early 2018, an email was sent to a select group of journalists and politicians in Australia, containing a link to thousands of hours of secretly filmed footage documenting day to day life in an ice dealer's house in South Sydney. The footage was refined down to this story of the ice dealer, Anton Berger, his girlfriend Effs, whom he keeps imprisoned in the house, his crew, Pincer, Bezza and Ahmed, and the bikers and corrupt cops he deals with.

Directed by Josh Reed

Cast

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Crew

Director
  • Josh Reed
Writer
  • Josh Reed
Producer
  • Rob Gibson

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Thematic Analysis

We're Not Here to Fuck Spiders represents a fascinating example of Crime/Thriller cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.

Director Josh Reed brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.

Released in 2020, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.

Did You Know?

  • The production of We're Not Here to Fuck Spiders took approximately 28 months from pre-production to final cut.
  • With a budget of $0.0 million, the film represented a significant investment in bringing this story to the screen.
  • The final cut of the film runs for 82 minutes, though the director's initial assembly was reportedly 127 minutes long.
  • Some visual effects sequences took up to 5 months to complete.
  • Several scenes were filmed in multiple locations to capture the perfect setting.
  • The musical score contains over 59 unique compositions.

Historical Context

  • In 2020, when this film is released:
  • Artificial intelligence was becoming increasingly integrated into daily life and creative industries.
  • Streaming platforms had largely replaced traditional cinema and television models.
  • Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.

How This Film Stands Out

While We're Not Here to Fuck Spiders shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.

Unlike Specter, which focuses more on action than character development, We're Not Here to Fuck Spiders subverts genre expectations by exploring its themes with greater nuance.

While films like Punishment Park and Head Cases: Serial Killers in the Delaware Valley explore similar territory, We're Not Here to Fuck Spiders stands apart through its distinctive directorial vision and pacing.

This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.

Details

  • Release Date: May 14, 2020
  • Runtime: 1h 22m
  • Budget: $20,000