Cast
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Kelvin Fletcher
as John Seabourne
Christos Lawton
as Victor Laurence
Audrey L'Ebrellec
as Ellie
Samantha Coughlan
as Betty
Ryan Winsley
as Brandt
Tim Berrington
as Father Bernard
Guy Faulkner
as Von Richter
Antonio Bustorff
as Durand
Alastair Kirton
as Challenger
Richard Touch
as Radio Announcer
Sammy Measom
as Eason
Nicholas Benjamin
as POW
Patrick Capaloff-Fowler
as Captain Briggs
Tom Taplin
as Anatole
Eleanor Grace
as Jane Seabourne
Crew
Director
- Ben Mole
Writer
- Ben Mole
Producer
- Jeet Thakrar
- Lucinda Rhodes Thakrar
Reviews
Thematic Analysis
We Go in at Dawn represents a fascinating example of History/War/Thriller cinema, offering viewers a unique perspective on the human experience and societal structures. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Ben Mole brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2020, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of We Go in at Dawn took approximately 3 months from pre-production to final cut.
- The final cut of the film runs for 86 minutes, though the director's initial assembly was reportedly 127 minutes long.
- Several scenes were filmed in multiple locations to capture the perfect setting.
- The film contains approximately 1991 individual shots.
- The costume department created over 400 unique costume pieces for the production.
Historical Context
- In 2020, when this film is released:
- The COVID-19 pandemic transformed global health, economics, and social interaction.
- Climate change mitigation had become a central policy concern internationally.
- Streaming platforms were disrupting traditional distribution models and changing how audiences consumed films.
How This Film Stands Out
While We Go in at Dawn shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Łódź Ghetto, which takes a more conventional approach to its subject matter, We Go in at Dawn subverts genre expectations by exploring its themes with greater nuance.
While films like Fragments of War: The Story of Damien Parer and 3rd Reich Mothers, in the Name of the Master Race explore similar territory, We Go in at Dawn stands apart through its deeper exploration of its central themes and more complex characterization.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
