Pagalpanti

Pagalpanti

Director: Anees Bazmee

Writer: Anees Bazmee, Deepak Kingrani, Shreya Dev Verma

Producer: Bhushan Kumar, Abhishek Pathak, Kumar Mangat Pathak

3 men, considered as losers in their lives by the people, plan to get rich along with their girlfriends by fooling 2 gangsters and robbing their money.

149 min Rating: 4.7/10 Released

Movie Info

Director: Anees Bazmee

Writer: Anees Bazmee, Deepak Kingrani, Shreya Dev Verma

Producer: Bhushan Kumar, Abhishek Pathak, Kumar Mangat Pathak

Countries: India

Now Streaming On

Amazon Prime Video
Amazon Prime Video
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Eros Now Select Apple TV Channel
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User Reviews

What Others Said

deRedtube: At one point in the film, John Abrahamโ€™s character Raj declares, โ€œZaroori nahi ki har cheez ka matlab ho.โ€ This is perhaps the guiding light for the story, screenplay, dialogues and pretty much everything that goes on in Pagalpanti. The problem is not the fact that it is a slapstick comedy, but the fact that thereโ€™s little or no semblance of a coherent narrative. From the very first scene, the film is armed with loud action and dialogues trying to be funny, but far from that. And there are a lot of characters, one sillier than the other. While Anil Kapoor once again plays the flashy gangster with his trademark loudness, Arshad Warsi is the funny guy with witty one-liners. John Abraham exudes charm despite his goofy character and Pulkit Samrat once again plays up on his boyish charm. But the three heroines are reduced to looking pretty and mouthing silly lines such as, โ€œPapa kehte hain kiss karne se main pregnant ho jaungi.โ€ Among the character artistes, Saurabh Shukla is impressive as the bumbling mobster who is more funny than scary. There is also a character named Niraj Modi (Inaamulhaq) evidently fashioned on the fugitive businessman Nirav Modi. With an unconvincing Gujarati accent, his character comes off as yet another stereotypical cliche. Director Anees Bazmee, along with his co-writers, throw in everything into the mix. From exciting car chases to high-octane destruction scenes, from African lions to an entire act involving industrial strength glue โ€“ all shot beautifully in the picturesque UK. But nothing sticks, thanks to a weak script. There are far too many songs placed randomly that only add to the run-time. Towards the end, it even meanders into a patriotic subplot that seems more forced. Even with an enviable star-cast and heavy-duty action, Pagalpanti never really manages to pull off more than a few laughs.