Cast
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Alfonso De Grazia
as Atilio Roca
Julia Sandoval
as Julia
Teresa Blasco
as Amanda
Julio De Grazia
as Hermano de Amanda
Pedro Laxalt
as Carmelo Roca
Carlos Cores
as Agustín García Casas
Osvaldo Terranova
as Don Pedro
Alberto Bello
as Comisario
Homero Cárpena
as Instructor
Josefa Goldar
as Sra. Roca
Claudio Martino
as Mauricio
Aldo Mayo
as Bertis
Héctor Gióvine
as Armando
Crew
Director
- Emilio Vieyra
Writer
- Abel Santacruz
Reviews
Thematic Analysis
As a dramatic work, Detrás de la mentira examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Emilio Vieyra brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1962, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of Detrás de la mentira took approximately 32 months from pre-production to final cut.
- The final cut of the film runs for 85 minutes, though the director's initial assembly was reportedly 111 minutes long.
- The film contains approximately 2031 individual shots.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The costume department created over 349 unique costume pieces for the production.
Historical Context
- In 1962, when this film was released:
- The space race between the USSR and USA was at its height.
- Social and cultural revolution was transforming Western societies.
- The film industry was dominated by major studios, with independent cinema still in its early development.
How This Film Stands Out
While Detrás de la mentira shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Il Divo, which focuses more on action than character development, Detrás de la mentira subverts genre expectations by exploring its themes with greater nuance.
While films like Conspiracy Theory and Under Siege explore similar territory, Detrás de la mentira stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its bold artistic choices and willingness to challenge viewer expectations, making it a valuable addition to its genre.
Details
- Release Date: December 12, 1962
- Runtime: 1h 25m
