Cast
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Rodney Dangerfield
as Lupo
Anita De Simone
as Rosa
Annabelle Gurwitch
as Gina
Charles Fleischer
as Alphonse
Robert Davi
as Ierra
Hamilton Camp
as Papa
Elsa Raven
as Mama
Jacob Urrutia
as Mario
Richard Libertini
as Vincenzo
Dom Irrera
as Petey (as Dominick Irrera)
Patrick Cupo
as Nunzio
Anney Giobbe
as Francesca
Vincent Schiavelli
as Marcello
Pierrino Mascarino
as Roberto
Marty Belafsky
as Johnny
Crew
Director
- Harry Basil
Writer
- Rodney Dangerfield
- Harry Basil
Reviews
Thematic Analysis
The 4th Tenor represents a fascinating example of Comedy/Romance cinema, offering viewers a unique perspective on interpersonal relationships and emotional connections. The film's approach to its themes demonstrates a creative vision that distinguishes it within its genre.
Director Harry Basil brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to pacing and visual storytelling creates a viewing experience that rewards close attention.
Released in 2002, the film exists within a cultural context that continues to evolve with our understanding of its themes. Its reception demonstrates the diverse reactions to its artistic choices and its place in cinema history.
Did You Know?
- The production of The 4th Tenor took approximately 28 months from pre-production to final cut.
- The final cut of the film runs for 97 minutes, though the director's initial assembly was reportedly 128 minutes long.
- The screenplay went through 13 major revisions before the final shooting script was approved.
- The musical score contains over 61 unique compositions.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
Historical Context
- In 2002, when this film is released:
- Digital technology was disrupting traditional media and entertainment.
- Social media platforms were beginning to transform communication.
- Digital filmmaking technologies were transforming production processes and creating new opportunities.
How This Film Stands Out
While The 4th Tenor shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Pretty Woman, which focuses more on action than character development, The 4th Tenor offers a fresh perspective through its innovative visual language and narrative structure.
While films like The Metropolitan Opera: Carmen and Bewakoofiyaan explore similar territory, The 4th Tenor stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: December 3, 2002
- Runtime: 1h 37m
