Cast
View AllJames Woods
as Richard Boyle
Jim Belushi
as Doctor Rock
Michael Murphy
as Ambassador Thomas Kelly
John Savage
as John Cassady
Elpidia Carrillo
as Maria
Tony Plana
as Major Maximilliano Casanova
Colby Chester
as Jack Morgan
Cynthia Gibb
as Cathy Moore
Will MacMillan
as Colonel Bentley Hyde Sr.
Valerie Wildman
as Pauline Axelrod
José Carlos Ruiz
as Archbishop Romero
Jorge Luke
as COlonel Julio Figueroa
Juan Fernández
as Army Lieutenant
Salvador Sánchez
as Human Rights Leader
Rosario Zúñiga
as Human Rights Assistant
Crew
Director
- Oliver Stone
Writer
- Oliver Stone
- Rick Boyle
Producer
- Oliver Stone
- Bob Morones
- Brad H. Aronson
- Gerald Green
Reviews
John Chard
You've become just like them.
Based around the real life experiences of journalist Richard Boyle, we are in 1980 and Boyle is not only in crisis torn El Salvador, he's also in it up to his neck.
It sometimes gets forgotten just what a great director Oliver Stone can be, strip away his ability to ruffle feathers on a seemingly perennial basis, and you find some pieces of work that are stark and striking for all the right reasons. Salvador is one such film, sometimes criminally forgotten, it remains to this day a searing tale of tension amongst the troubles of a Latin American hell hole. Boyle is right in amongst the implosion of a civil war, death squads and guerrillas from each side pull him from pillar to post as he tries to protect his Salvadorian girlfriend, while his friends and connections all are in peril purely for being in the wrong place at the wrong time.
Salvador triumphs mainly because Stone and his team have managed to capture all the building emotions of the main players, it's not just Boyle, it's the American government types, the press itself, and of course the crumbling Salvador people themselves, all things mold together in one big worrying pot boiler. James Woods plays Boyle and he is magnificent, managing to make an unlikeable character sympathetic, Woods (with Stone prompting for sure) clearly challenging himself to play out a career high. James Belushi also delivers his career best work, perfectly brusque and oblivious, his Dr Rock is the perfect foil for Woods' emotive Boyle. Then there is plaudits for Elpidia Carillo as Maria, charged with being the love interest amongst this carnage, she layers it perfectly for a very memorable performance.
Salvador bizarrely is at times a humorous picture, but the laughs are all of the uneasy kind, because ultimately Stone's attempt at getting into the nitty-gritty of troubled El Salvador, is a harsh, and at times, a humbling experience. 9/10
Sep 25, 2014
GenerationofSwine
With almost all things Oliver Stone...it gets political, and because of that you have people reviewing the politics and NOT the movie. Hate it or love it because of the politics...
...and politically I agree with the message in Salvador, but I'm going to try to keep all of that out of this and too the side. However, I do want to mention that the film dramatizes a few stories that should have gotten better coverage in the US.
Moving on, though, this is not unlike Fear and Loathing in Las Vegas...if it went entirely dark and realistic. You have a journalist and his buddy in a Hawaiian T-Shirt not going to the glitz and glam of Vegas in search of the American Dream, but rather going to Central America in search of the American financed atrocities.
And it is vaguely based on a true story and vaguely covers actual events from a dramatized perspective while asking the audience to be morally outraged at what they see...and it is horrific.
But when you really get here is WTC and Snowden on the other end, the movies following Alexander are Stone moving away from his cinematic hallmarks that made his films so great.
Salvador, but contrast, is Stone moving towards his beloved tropes, you can see him developing his technique in Salvador, and that almost works as a build-up onto itself if you're a fan of Oliver Stone's movies.
The dramatic cuts, and the tidal waves of A and B list supporting characters are still a few movies away, but you have a solid development of what Stone movies will one day become, but you have it with a young Oliver Stone intensity.
He was working hard back then, and it shows in Salvador. Nothing about the film is phoned in and it works if you agree with his politics or not, as a dramatic war film of the highest grade.
But, don't take any of that into account if you are a film major... because what you have here is Stone, crafting a war movie, on a shoe string budget, and pulling it off brilliantly. That should be the lesson any film student walks away with. Forget what the movie was about for a moment, look at the final product and then look at what he had to work with.
Jan 14, 2023
Thematic Analysis
As a dramatic work, Salvador examines complex human relationships and emotional struggles against the backdrop of a period setting that reflects societal issues of its time. The character development particularly stands out, offering viewers a chance to reflect on their own life journeys.
Director Oliver Stone brings their distinctive visual style to this film, continuing their exploration of themes seen in their previous works while adding new elements. Their approach to character development and emotional depth creates a viewing experience that rewards close attention.
Released in 1986, the film exists within a cultural context that now offers viewers historical perspective on the social issues of that era. Its critical acclaim reflects its artistic achievements and its place in cinema history.
Did You Know?
- The production of Salvador took approximately 34 months from pre-production to final cut.
- With a budget of $4.5 million, the film represented a significant investment in bringing this story to the screen.
- The final cut of the film runs for 123 minutes, though the director's initial assembly was reportedly 148 minutes long.
- The director insisted on using practical effects whenever possible, reserving CGI for only the most necessary scenes.
- The musical score contains over 45 unique compositions.
- The film contains approximately 2416 individual shots.
Historical Context
- In 1986, when this film was released:
- Economic policies were shifting toward deregulation in many Western countries.
- MTV launched, changing how music was marketed and consumed.
- Independent cinema was growing in influence, challenging the dominance of major studios.
How This Film Stands Out
While Salvador shares thematic elements with other films in its genre, it distinguishes itself through its unique approach to storytelling, visual style, and character development.
Unlike Citizen Kane, which focuses more on action than character development, Salvador subverts genre expectations by exploring its themes with greater nuance.
While films like Dancer in the Dark and The Dark explore similar territory, Salvador stands apart through its distinctive directorial vision and pacing.
This film's unique contribution to cinema lies in its thoughtful balance of entertainment value and thematic depth, making it a valuable addition to its genre.
Details
- Release Date: April 23, 1986
- Runtime: 2h 3m
- Budget: $4,500,000
- Revenue: $1,500,000
Where to Watch




